RJD2 – “Her Majesty’s Socialist Request” (A Brief Review)

July 29, 2013 JUKEBOXDC Staff Editorials No Comments  


RJD2 started as a well-known producer (and then later a solo artist) best known for his work with artists like Murs, El-P and Aesop Rock. Oh yeah and the theme song from “Mad Men” . Anyways,  it has been three years since his last solo album and RJ is returning with a new LP. Similar to some of his earliest three albums, More Is Than Isn’t will be mostly instrumentals, occasionally features vocals from artists like Aaron Livingston (his bandmate in Icebird) and rappers Blueprint and Phonte. “Her Majesty’s Socialist Request” is the first single, and aside from some strange instrumentation and drum patterns, it is clearly RJD2, that is to say, it is funky, original and very listenable despite being an instrumental.  Purchase here

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RECAP: Hot 97’s Summer Jam XX

June 8, 2013 JUKEBOXDC Staff Editorials No Comments  

Joebuddensummerjam

By: Jamoris Vincent

The 20th Anniversary of Summer Jam went down this year at Met Life Stadium in New Jersey. Joe Budden was the opening act of 2013’s Summer Jam, which made sense, since he was in his hometown. Joe Budden ran through a few of his classic records, including one of his bigger hits “Pump It Up”. Joe Budden also brought out Tank & Joey Ortiz during his set.

Miguelsummerjam

Second to hit the stage was Miguel, and he opened his set with “How Many Drinks” before bringing out his homie from the Carolinas — J.Cole — to perform his hit single “Power Trip” from his upcoming album Born Sinner. Miguel then dedicated the next few records for the beautiful ladies in attendance: he performed a crowd favorite from his album, “Pussy Is Mines”, and then performed another one of his hits, “Adorn”. If you thought J.Cole was the only surprise Miguel had under his sleeve, you were wrong. Miguel ended his set and brought out Mariah Carey to perform her new single “Beautiful”. The crowd went crazy after they heard Mariah’s voice over the beat to the song. Some people thought that Mariah didn’t sound that great during her performance; I thought she sounded amazing.

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REVIEW: Wiz Khalifa (@RealWizKhalifa) – O.N.I.F.C.

December 8, 2012 JUKEBOXDC Staff Editorials No Comments  

I feel as if Wiz Khalifa has a pretty bad rap among what I call half-fans: fans that have begun following his ascent once he was in the national eye, but never really knew about his earlier efforts. As a result, a lot of people felt that Wiz Khalifa’s major label debut, Rolling Papers, was a bit of a sellout album: a lot of synthesized tunes that are a departure from his still-party-yet-still-street songs from, say, Deal Or No Deal. The truth is — in my opinion of course — Wiz Khalifa has never strayed from his style of music, which in reality involved the inclusion of quite a few different genres. Adding a little more depth, he proceeds to not fix a not-broken game plan with O.N.I.F.C. (Only Nigga In First Class, or One Night In First Class if you’re PG).

Starts off on a high note, with ‘Paperbond’ showing Wiz Khalifa in a pretty smoothed-out reflective state. This vibe really does set the stage for the whole project (‘Bluffin’, ‘The Bluff’ with Cam’ron, ‘Time’)….and while he speaks on the current, ‘O.N.I.F.C.’ definitely gives you a slight feel of the past, especially since he has always been balling on his tracks regardless of difference in status (think Kush & Orange Juice), which there is plenty of here (‘It’s Nothin’ with 2 Chainz).

There are definitely positive and not-as-positive tracks on here as well. ‘No Sleep’ is powerful; not because there’s any additional depth per se…..it’s just a perfect combination of the usual Wiz Khalifa over a dope I.D. Labs production. With that said, it’s definitely Pharrell Williams’ ‘Rise Above’ that takes the cake sonically….even Wiz Khalifa’s tattoo artist Tuki Carter does well enough over the Neptunes more laid back track.

The album does have a few drops: I’m sorry, I know she’s from DC, but ‘Initiation’ featuring Lola Monroe sounds like an afterthought to get the new Taylor Gang member on a record. There’s a couple more on there, but this one definitely stands out more than most.

O.N.I.F.C. is certainly worth a listen if you’re not a fan (don’t expect any real thought-provoking lyricism….that brand of Hip-Hop isn’t Wiz Khalifa anyway) and definitely a great addition to the collection if you are. And even though I thought Rolling Papers was a strong enough effort, this one should definitely please the fans (and the aforementioned half-fans) alike until the next project. Roll up.

Purchase: Wiz Khalifa – O.N.I.F.C. (iTunes)

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MTV Announces “Unprecedented Expansion” Of Hip-Hop (On) All Channels

October 12, 2012 JUKEBOXDC Staff Editorials No Comments  


Sway is probably happy as shit right now.
I spotted this All Hip Hop article on Nahright yesterday:
“MTV has announced plans to expand and unify Hip-Hop music coverage and content across all of its channels, under the MTV Jams brand name.

The goal is to extend the MTV Jams brand from its current, 24-hour digital channel, to all of MTV’s properties, MTV, MTV2 and MTV.com.

The new programming initiative will see MTV2′s ‘Sucker Free Countdown’ re-launched as ‘The Week in Jams,’ starting on October 28.”

 

Here is the funny part though.
“‘The Week in Jams’ will include Hip-Hop lifestyle related content, from music and fashion, to sports and gossip.

In addition to the programming initiative, MTV is planning a series of tours throughout 2013 that will highlight a variety of artists who are featured in the new programming initiative.

The first outing will feature R&B singers Trey Songz and Miguel.”

 

What happened to hip hop, MTV? Trey Songz and Miguel might be more “hip-hop” than other modern R&B artists but regardless- they aren’t “hip-hop content” by most definition of the term. Especially if you consider the history of MTV…Yo! MTV Raps and all…

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Thoughts on MMG’s “Bag of Money” Remix, Wale, Black Cobain, Judah, etc.

August 20, 2012 JUKEBOXDC Staff Editorials No Comments  

 

Recently, Maybach Music Group released the first remix to their hit single “Bag of Money”.  Aside from multiple MMG members, the song features Mempis favorite Yo Gotti, music superstar Lil’ Wayne and interestingly, Wale affiliate Black Cobain.

Around the same time, veteran DC producer and occasional Wale collaborator Judah (pictured above, right)  complained about the DC Hip Hop scene in an excellent, enlightening Washington City Paper interview. The interview showcased Judah’s continuing pessimism (see his 2010 conversation with Jon Powell) about music in the area around Washington DC ever expanding and improving.  This opinion is strong, despite increased coverage of many DC rappers, and problems that are essentially nation-wide, not local.  Judah hits home on two main fronts.  First, he is willing to criticize Fat Trel and other younger artists when necessary, without outright “hating”.  Second, he points out where Wale has failed to carry the torch for other artists  On the subject of the MMG rapper shedding light on others from the DC area, Judah said:

“I mean, he does when it’s advantageous to him. He does when it’s advantageous to something that he’s doing. Prime example: He had an album that came out, he has an affiliation with Board Administration, correct? But he had nobody from that label on his album. You could’ve got an artist some publishing, you could’ve got an artist a national look, hey could’ve been part of a gold album, its things like that, that you see. Ya know, when Mike Jones came out, Paul Wall was on his album, Chamillionaire, like, they really did things for each other. They really put publishing in people’s pockets and get ’em national attention. It’s kind of odd, that that’s your team, but yet, your artist ”Black Cobain”is not on your album?”

What Judah may not have known is that Cobain was on Wale’s album. The song “DC Or Nothing” featured Cobain, while he didn’t make the final track listing, he appears on the song. But, maybe “Bag Of Money” is another move in the right direction.  The Smoking Section notes that this may be the start of big things and a lot of push for Black Cobain, a move towards the limelight that seems especially necessary when The Fader barely acknowledges Cobain’s existence on the “Bag of Money” remix or when some listeners seem to think he’s Wale. More exposure will of course benefit more than Black Cobain himself, if he is received positively.  If he is pushed well, maybe he won’t have to do things like freestyle while hiking anymore.

It could be easy to wonder whether Wale is just trying to appear like the elder statesmen. His recent pairing with Shy Glizzy seemed to be hopping on the DC rapper who was known for his beef with the former BOA member Fat Trel.  This elder statesmen status was solidified recently, with the notoriously touchy Wale helping to end the disagreements between Fat Trel and Shy Glizzy, putting aside his past with Trel to broker a peace treaty after threats of violence nearly turned to actual violence.  So perhaps there is hope for “the DMV after all.

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The 20 Best Mixtapes of 2012 (So Far)

July 3, 2012 JUKEBOXDC Staff Editorials 2 Comments  

As we reach the halfway point in 2012, Hip-Hop (and Rap) is off to the races. With so many solid projects, I had to take the time out to name the 20 best so far this year. From the takeover of Maybach Music Group or the return of the real Wiz Khalifa, 2012 has been incredible to see. With that being said,  I didn’t rank the mixtapes, but I did break down the mixtapes in specific categories that they all can be recognized in. Provided you with links to the projects and some background information.

Wait no longer, here are the 20 best mixtapes of 2012 (so far)

Category 1 — Meet the Newcomers: In this tier you can find all relatively new guys trying to make a splash in the rap game. All are under 21 and all gave a fairly solid project for the year 2012.

Joey Bada$$’ 1999

Released: June 12th

Honestly, I could’ve put this mixtape in a different category (to be named later), but due to him being the Anthony Davis of newcomers, it was only right to put him here with the rest of the rookies. Joey Bad’s 1999 provides a nostalgic feeling to the 1990’s era of hip hop as him and his Pro Era Crew rap on jazzy hip hop instrumentals and give bars the Brooklyn way. Best tape out of this bunch and is a must listen. Here

Casey Veggies’ Customized Greatly 3

Released: April 9th

This isn’t my first time hearing a complete Veggies tape (Sleeping in Class) so I knew about the kid a bit and he provided a solid project again. This 18 year old Californian made such an impression with CG3, that the great Jay-Z signed him to Roc Nation last month. Impressive to say the least. Here

Rockie Fresh’s Driving 88

Released: January 23rd

In Driving 88, Rockie Fresh takes up back to the future in his version of a DeLorean and shows and proves what this Chicago native is made of. “Twenties” is my favorite song off the tape and definitely in my top 10 songs of 2012 (It’s that good). If Joey Bad is Anthony Davis, Rockie (No A$AP) can be Micahel Kidd-Gilchrist. High motor, does it all and will be an All-Star one day. Rumors have been surfacing about this kid signing to MMG with Ross as well. UNGH! Here

Chief Keef’s Back From the Dead

Released: March 12th

Out of this respective group, has anymore had more buzz/blog space than Chief Keef? Actually, you can combine all of these guys’ buzz and it won’t stand to this other Chicago native. Keef recently signed to Interscope and it all happened because of Back From the Dead and the monster smash “I Don’t Like” and the remix with the GOOD Music. With the help of Young Chop, Back From the Dead takes you to the streets of Chicago and its the not so friendly side. This kid can be Greg Oden or Kevin Durant. Question is, is Interscope Portland or Oklahoma City? Ha. Here.

Shy Glizzy’s Law

Released: June 6th

If I had to put money on the next DMV rapper to blow it’s on Shy Glizzy. I’m not the biggest fan but I do understand the movement. With his high pitch voice and bass driven beats, Glizzy takes us to the darker side of DC in Law. Between catching beef with Fat Trel and Chief Keef, Glizzy will stunt and have the party rocking in no time. Take a listen to Law or Glizzy might shoot your grandmother in the titty. Here:

Category 2 — Too High of Expectations: In this tier, we see solid and good mixtapes but due to such big names, buzz, fans and overall success, there was no way these guys could meet expectations.

Rick Ross’s Rich Forever

Released: January 6th

Rick Ross is clearly one of the top 3 rappers out right now. He’s established MMG as one of the best labels out and has no plans of stopping. He started out 2012 with Rich Forever and it was solid, but lacked by having too many tracks. Say Rozay cuts this tape down to 14/15 tracks and he might be in another bracket. God Forgives, I Don’t comes out July 31st. Don’t disappoint. Here.

Jadakiss’ Consignment

Released: April 26th

Jadakiss is a throwback. He’s a rapper’s rapper. However as the God MC he is, Consignment wouldn’t be the best example of that. Kiss will always give you bars, but Consignment didn’t sound like New York, nor him. He was reaching for a sound that isn’t in his demographic and thats where the project falters. Keep it street, Jada. AH-HA! Here.

Stalley’s Savage Life to the American Dream

Released:

Stalley is clearly the most unknown out of this bunch, but had significant buzz going into this tape because of the then recent MMG signing and Ross putting him on the same pedestal as Wale and Meek Mill. Not so fast my friend. Maybe, Stalley just isn’t the rapper for me or maybe we’ve just heard Stalley before (J. Cole) so therefore he doesn’t excite me. Savage Life is well put together tape but it won’t blow you away like I was expecting. In other news, he meshed well with the rest of MMG on Self Made, Vol. 2. Here.

Game’s California Republic

Released: April 5th

Game suffered from the same complex as Rick Ross except he had ten too many tracks. Flooded with features as well I felt like Game rushed this mixtape to the masses or maybe it was a reach just to stay relevant. Hey, who knows, I just know RED Album wasn’t too bad and this wasn’t too good. Take your time Game. California is Kendrick’s town now anyway. Here.

50 Cent’s The Lost Tape

Released: May 22nd

Lost Tape was 50’s try of “giving something to the people” and might’ve backfired on him. After I heard 50’s Big 10 last year I was pretty excited for a new album, but Lost Tape kind of took that spunk away. Big 10 is super street but is very hit or miss. Possibly, 50 is saving his best for the album. And it’s also, possible that his next album will be a hiccup too. We shall see. Here

Category 3 — The Others: This tier is a bunch of everything. From down south rap to smoker tunes. You can find a good listen in here. Meet the Others.

Juicy J’s Blue Dream + Lean (Bonus Tracks)

Released: May 20th

After Juicy J’s huge success from Blue Dream and Lean in 2011, he gives you the bonus tracks and more anthems for strippers and trippy people to mob too. Whether it’s the codiene, the cash or a bit of gun play, this Three 6 Mafia member sticks to his roots and delivers. Juicy J for President! Here

Chevy Woods’ Gang Land

Released: June 6th

Sticking in the TGOD camp, Chevy gives us more of a darker insight into Pittsburgh as he talks about the streets, family and his favorite vices. It is still hard to see Chevy without Wiz, but this is a step in the right direction. If Wiz is Hov, Chevy is Bleek. Only more quality music can change this around. Here.

XV’s Popular Culture

Released: June 15th

Popular Culture is a musical ride from XV that takes us through today’s pop culture and his own thoughts as he prepares for the debut release of his album. The kid in the green backpack will always bring witty lines and rep for Wichita (Yes. Wichita) but I feel like he might be nearing his ceiling as he has yet to breakthrough the mainstream glass door. Warner is being patient but how much time will they wait? You be the judge. Here.

Future’s Astronaut Status

Released: January 12th

If you ask 10 people not from Atlanta what they think of Future, you will get an immediate thumbs down 9 out of 10 times. However, you ask 10 ATLiens, you might see the reverse effect. Hometown hero? Sort of. Future won’t give you the clever lines or deep introspective bars, but he will get the club and car rocking at the same damn time. His debut album Pluto is in stores now, but give Astronaut Status a listen before you spend your $9.99. Here.

Gucci Mane’s I’m Up

Released: May 25th

If you had to give out the Lifetime Achievement Award of Mixtapes, Gucci Mane is a winner. Going way back to the Wilt Chamberlain series to the Burrprint trilogy and to mainstream and back again, Gucci delivers. This time bringing an onslaught of features, Gucci does his usual – women, money and supreme shittalking. Gucci is …Gucci. Perfect for the car. Here.

Category 4 — The Five: Without a shadow of a doubt, there are the best mixtapes to be released so far in 2012. Must download to say the least.

Big K.R.I.T’s 4Eva N A Day

Released: March 14th

One of the three best rappers under 25, KRIT closed in on his 3rd mixtape in 3 years with 4Eva N A Day as he takes you into a day in the life of KRIT. From his southern driven bass booming beats to the songs written about his love interests, 4Eva N A Day is a journey to say the least. No it doesn’t top KRIT Wuz Here or his debut album, Live From the Underground, but this is the perfect theme music to play when cruising. Here.

Mac Miller’s Macadelic

Released: February 10th

I’ve never been a Mac Miller fan and I was slightly irritated by the mixtape name seeing how close it looks to Makaveli. Nonetheless, Mac has made me a fan. With just the right amount of features, but great concepts and beat selection, Mac proves he’s just not your average white rapper. This independent artist is doing it on his own and doing it well. Don’t get too tripped out by the hippy like sounds of Macadelic. It’s incredible. Here.

Dom Kennedy’s Yellow Album

Released: June 21st

The Leimert Park legend comes through in the clutch once again. Just as the summer hits you can only guarantee three things: heat, bikinis and a Dom Kennedy project. Unexpectedly, the mixtape was free (compared to Westside II which wasn’t) and gave Dom fans something new to jam too. With rumors of him joining MMG as well, I think Ross can appeciate this tape and hand over a chain and deal soon. Just watch. Here.

Meek Mill’s Dreamchasers 2

Released: May 7th

Speaking of MMG, is this not MMG’s Blake Griffin right now? Anytime on a feature, his own song or in concert, Meek is going to give you energy. Meek didn’t take us down the darkest paths as he did with Dreamchasers, but in DC2 he gave us more club bangers to party too. Through and through Meek represented and brought a cast of characters along with him. Wale, Fab and Big Sean all represent multiple times on DC2. Impressive to say the least. Here.

Wiz Khalifa’s Taylor Allderdice

Released: March 13th

Coming off a disappointing debut album in Rolling Papers, Wiz gets his sound back together in Allderdice and drops a complete gem. Even though the ongoing interview throughout the tape was cool at first (then becoming annoying) and quite groundbreaking, Wiz took us back to those Kush and Orange Juice days. Helped by an assortment of phenomenal producers ( Jerm, Cardo, Harry Fraud, ID Labs, Sledgren), Wiz mixes in perfectly with the instrumentals. Best mixtape of the year. Hands down. Here

Wow. That was a lot. Did I miss anything? Now that we’ve thoughly been through the first half of the year let’s hope that the second half is just as good in the underground market. A few questions to ask yourself in the second half. Will Wiz and Curren$y’s Live in Concert be as good as How Fly? Will MMG continue their success or will GOOD Music force a cruel summer onto everyone? Slaughterhouse? A$AP? 2Chainz? Will Azaelia Banks make the jump? Can Nas give us one last classic to listen to? Can Kendrick Lamar have success on the mainstream? Hmmm. We shall see.

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Purity Ring (@PURITY_RING) – “Fineshrine”

June 20, 2012 JUKEBOXDC Staff Editorials 1 Comment  

Canadian indie-pop duo Purity Ring (singer Megan James and producer Corin Roddick) released a song today in preparation for their first album, Shrines, which is coming out July 24th, 2012.  The group, formed in 2010, debuted their first single last January to critical acclaim. Their sound could best be described as hard-hitting 808s with dark, R&B-influenced electronic synths and echoing, distorted vocals thrown on top. Corin Roddick puts together dense tracks that can be both upbeat and intense or heavy and eerie all at once. Possible influences could be genres like neo-soul and southern rap (especially trap), and musicians like Kanye West and Clams Casino.

Vocalist Megan James, Purity Ring’s other half, has odd and often disturbing lyrics that are hidden behind the melodies and innocence of her own voice.  Vocal content often invokes both colorful and dark imagery.  Descriptions of the sky, natural landscape and also the decay of body parts appear in the songs “Fineshrine”, “Obedear” and “Lofticries”  In a summer 2011 interview*, Corin Roddick has stated that Megan James’ lyrics are full of hidden references to disappointment and unmet expectations.  James has also said that her vocals were taken from writings that were never intended for public release.

One easy comparison and probable influence for Purity Ring would be Kanye West’s 2008 album “808s & Heartbreak.”  West’s iconic electro-pop record used 808 drums, Auto-tune, and dark, somber melodies, which had a clear impact on music made by the Canadian duo and many other artists today.  Despite the distinct similarities in sound, Kanye’s notable venture into pop was overtly emotional, bleak and withdrawn; the same should not be said of Purity Ring.  The percussion hits harder and the music is intense whether it sounds happy or sad. Purity Ring’s vocals are both powerful and indirect in lyrical content, the opposite of Kanye West in “808s & Heartbreak.”

The buzz around their music has grown since Purity Ring’s first single, “Ungirthed”; a Youtube video streaming their song “Lofticries” gaining over 7 million views.  Two months ago, Purity Ring signed to British label 4AD, an independent record company whose other artists include Bon Iver, Deerhunter and SpaceGhostPurpp.  The group has been touring internationally since May, and will join the band Dirty Projectors on their tour in July.  Today, Purity Ring put out the song, “Fineshrine”.  Check the leak out below, as well as Purity Ring’s most popular song, “Lofticries.”

*The interview is unfortunately with wack and elitist indie website Pitchfork, you can check it out here.

Purity Ring – Fineshrine (Download)

Purity Ring – Lofticries

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The Top 15 Hip-Hop Projects Of 2011 (In My Opinion)

January 3, 2012 JUKEBOXDC Staff Editorials No Comments  
Sketches from Elemental Electronic Music Festival at Alliance Francaise Yangon 2011

Yep, another year gone. Jeez, I’m officially two years away from 30….

Anyway, I can honestly say that this has been an incredible year in Hip-Hop music. A lot of great artists have continued to be great (Drake), some have decided to drop the ball for sales (‘Lasers‘) and a lot of lesser known artists have continued to put out great projects (that often fell on deaf ears). So I decided to put out my personal top ten projects of this year….projects that I’m very surprised I haven’t worn out from extreme listening. Basically, these projects will probably be deemed as classics as they continue to hold weight over the next several years in the midst of the typical bubblegum shit we hear over the radio everyday. So, without further ado (and in no particular order):

Check out the full list after the jump.



Kendrick Lamar – Section 80

Those who know me should already have guessed that this would be the first thing that comes to my mind as far as a favorite. This guy is nuts, with an ever-changing lyrical wordplay that rivals [insert your competing rapper here]. I was an admitted late-bloomer with this artist; I listened to and enjoyed a lot of his music as it passed through my email, though I didn’t cry tears of Hip-Hop joy until I pressed play on Overly Dedicated.
Then, he drops Section 80.
I was in London when this record dropped….and those earphones stayed in my ears damn near permanently. The stories that he told on this record (‘Keisha’s Song”) and the lyrics that he intertwined around each beat (“Rigamortis”) completely blew me away. I expect him to be one of the top artists — PERIOD — in 2012.
ScHoolboy Q – Setbacks

Look, I might as well tell you now: every member of Black Hippy is going to make this list. Every single member is…..just…..dumb ridiculous with these projects. This project in question dropped at the very beginning of the year, with songs that run across the board emotionally (Ex: ‘What’s The Word’ & ‘I’m Good’) to the point where you can actually picture yourself in his shoes as he tells his story. On top of that, his unique flow is flat out retarded.
Talib Kweli – Gutter Rainbows

Talib Kweli decided that he was tired of the record label woes and went independent for this project. Would that mean that it would sound any less of a great Kweli effort? Absolutely not, in fact, I feel as if he came off with a more powerful and aggressive tone than Eardrum (which was in fact a very good project), not counting Reflection Eternal’s Revolutions Per Minute. Anyways, this project goes in from beginning to end, with slight standouts like ‘Palookas’, ‘I’m On One’ & ‘How You Love Me’.
A$AP Rocky – LIVE.LOVE.A$AP

This project caught me off-guard for what is probably the same reasons a lot of my peers listened to it: this is a kid from Harlem who raps like a hybrid Paul Wall/Koopsta Knicca mix. The music is dope, and smooth to the point that you find yourself pouring your Benadryl in your soda in an effort to try to level yourself with the project. From literally beginning to end, he (and his A$AP crew) literally take turns morphing into just about every major city’s sound that you can think of. I can’t wait to see what comes of his major label effort.
Ab-Soul – Long-Term Mentality

Remember when I said that you’re going to see every Black Hippy member on this list? Well, this might arguably be the most underrated member in the group, if not in all of Hip-Hop. I’m not sure if Ab-Soul will ever touch the commercial masses with his borderline preachy subject matter, but if you’re looking for an artist (of ANY genre) with substance, this guy hits the nail on the head every time (pause).
Drake – Take Care

What can we say about Drake….the guy has managed to be the most loved and most hated figure in hip-hop (and R&B) since So Far Gone. We all know what he did last year, and we thanked him for it. But would he be able to produce an equally amazing (or revolting, however you look at it….I’m talking to you Charlamagne) project in 2011?

Yep.

Even though Take Care hasn’t been out very long, you’d be crazy to disagree when I say that he pretty much applied the “if it aint broke” philosophy and it worked. Not sure if he can pull off a future album in the same manner, but I’m certainly not betting against him.

Big K.R.I.T. – Returnof4eva

Forget R4: The Prequel (or whatever that was called), the full project that was Returnof4eva showed a continuing progress in the soulful-and-still-pimpin sound of the King Remembered In Time. The debate was that this project was arguably not as good as K.R.I.T. Wuz Here…..I say the project still makes my top list of 2011. Too many dope songs to name here, but I’m still “rotating my tires” as we speak.
Pharoahe Monch – W.A.R.

Pharoake Monch will always remain one of my favorite lyricists of all time, but I’ll be honest, here….I feel like Desire was a step backwards. Not that it sucked, but the overall cohesiveness didn’t hit as well with me in the same manner as Internal Affairs. 
With W.A.R. Monch made his return in 2011….I can only hope for more this year…..
Wiz Khalifa – Rolling Papers

Yes I did. Probably a lot of disagreements with this choice, as a lot of folks (who weren’t true Wiz Khalifa fans in the first place) felt that this project was simply an MTV pop record at best. On the contrary, Wiz has been doing music of this manner; a little less gangsta shit (there’s still ‘On My Level’), but still very much Wiz Khalifa (‘Star Of The Show’).
At the end of the day, the dude knows how to make good music to get high to enjoy.
Tyler, The Creator – Goblin

Building off of Wiz Khalifa: I knoooooow a bunch of y’all are gonna disagree with me on this one. For those who want to argue on their religion or faith, please sit y’all asses down. For those who came here to discuss Hip-Hop, this is my opinion:
The kid can rap.
I don’t care what anybody says….his machine-gun-lyrical wordplay (‘Yonkers’ and ‘Tron Cat’ are excellent examples) is reminiscent of Marshall Mathers himself (I am NOT saying he is as good lyrically….but he’s definitely in the vicinity of that style). Production-wise, the project is definitely an acquired taste, but you can certainly hear The Neptunes’ influences.
Wale – Ambition

Wale is yet another polarizing figure in Hip-Hop. This addition to my list isn’t a bias because he’s from DC; it’s pretty documented that his brand of rap is either loved or hated….
and I love it.
Ambition shows that Wale can rap on just about any track you can throw at him, and he’ll show and prove with a unique style that obliterates the production. See ‘Legendary’ & ‘No Days Off’ for two examples.
Bad Meets Evil – Hell: The Sequel

Make no mistake: I was wishing for a Bad Meets Evil project since ‘Scary Movies’, ‘Nuttin’ To Do’, and…..well….’Bad Meets Evil’ (Slim Shady LP). So when I finally heard about the EP, I already knew what time it was. The return of destructive lyricism.
Now, obviously the project had to cater to Eminem’s newer pop fans with tracks like ‘Lighters’ featuring Bruno Mars (what I mean by that is, he was pop music during his Marshall Mathers and The Eminem Show days for being against what was considered pop. Hell, he even dissed pop artists – like Britney Spears & *NSYNC. Now, he’s known for tracks like ‘Space Bound’ & ‘Love The Way You Lie’…..while still being able to spit better bars than anybody). But even with the more pop-oriented records, the lyrical powerhouse that makes Bad Meets Evil still show-off in ways that tell other emcees to give up a life of rapping (see ‘Welcome To Hell’, ‘Fast Lane’ & ‘Loud Noises’ with Slaughterhouse).
Dom Kennedy – From The Westside With Love 2

While repping for pioneer Ice Cube, Dom Kennedy manages to approach the Hip-Hop scene from a more laid-back manner while still letting his fans know how real he is beyond emceeing. No, I don’t feel like this project was better than From The Westside With Love (though I feel differently about the more aggressive The Original Dom Kennedy, which also dropped this year), but I do believe it was better than most of the other projects that dropped this year. See “When I Come Around” for classic Dom.
Jay Rock – Follow Me Home

The final member of Black Hippy has arrived (in reference to this list, since he’s been doing his thing in relation to the other Black Hippy members). Quite frankly, Follow Me Home is definitely one of the cream-of-the-crop projects on this list….with street bangers that actually teach the negative side of gang life (like ‘M.O.N.E.Y’, ‘Life’s A Gamble’ and the ridiculously powerful ‘Just Like Me’), this is a gangster rap album that I would let my kids listen to.
Jay-Z & Kanye West – Watch The Throne

Obviously, I’d be crazy not to add this project, which really goes without saying: the two hottest Hip-Hop acts in the present day (not counting the aformentioned Drake) converge on a project to create what one would define as ‘luxury rap’. The thing is, I was skeptical about whether or not I would enjoy this album off of that premise alone, and truthfully, I was happily mistaken. The album is crazy dope lyrically, sonically (production-wise), and even on the basis of subject matter.
But I didn’t have to tell you that. The album topped the charts. I’m sure you’ve heard of these two.
Also, check out a couple of bonus projects that did get a lot of listens from me, but I really didn’t feel like doing anymore write-ups. Trust me when I say that you’ll enjoy these as well:
Phonte – Charity Starts At Home: I swear this guy is so underrated it pisses me off.
J. Cole – Cole World: The Sideline Story: Jay-Z’s prodigy gives you more of what made his mixtapes as dope as they were

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Dirty G’s View, @Wale Vs @Noz and why we need to Support not Hinder artist from being Great.

November 9, 2011 JUKEBOXDC Staff Editorials No Comments  

 

   A certain Local writer from DC has some hate for a certain DC Rapper. I (Dirty G) over here at jukeboxdc.com dont usually take sides but you read and Decide Hate or not. I usually dont care what people in way like this but once you hit a certain level as a Writer you should not be bias against rappers you should be fair and balanced and to me doesn’t seem like someone got that memo.
and His rebuttal
Link after the numbers came out.
 I have lived in DC for a few years now and I have noticed a few things here there is a “Crab’s in the bucket” type mentality in this town and it needs to stop. I myself am not a 100% wale supporter but the man is trying and we should respect that not tear it down.
Any issue’s my twitter is @therealdjdirtyg Holla
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HenryVIII Album Review: Wale “Ambition”

November 1, 2011 JUKEBOXDC Staff Editorials No Comments  

Before I even start, let the record show that (since “Hate is the New Love”) I have always been a Wale supporter. However, I have NEVER been a Wale fan. This in no way compromises my ability to judge his music without bias (although it does prevent me from attending any of his shows). But I must say, as a resident of the DMV, it’s a beautiful thing to finally have strong representation at the forefront of the hip hop music scene. As much as people attempt to discredit him for his song choice or “attitude”, he wouldn’t have made it this far without hard work and overall dedication to perfecting his craft. So for these things, I commend him. With that said, let’s get right into my album breakdown of Wale’s latest project, “Ambition”.
Check out the full review after the jump.
“Don’t Hold Your Applause”
Producer: Tone P, Chris Barz
In typical Wale fashion, the track chosen to be the intro was an incredible one to begin the album with. It seemed to be a precursor for things to come. To me this felt like it was comprised of just about every track on the album. The lyrics didn’t really surprise me. However, the hook is catchy and very engaging. One thing I thought was great was the mention of the GQ “Men of the Year” selection. However, I wish he went more in depth about how that period of time affected his career. After all, that is where the beef with him and Cudi supposedly started. But for what it’s worth, great melody and memorable song.
*I have this track on a constant loop.
Grade: A-

“Double M Genius”
Producer: Mark Henry, Enduhstreatz
Good post-intro track. Admittedly, I tend to be biased against songs with titles that allow the subject matter to be generic (but I guess you need a couple of those on every album). Two tracks into the CD, you can see that Wale didn’t abandon that same gogo feel that made him popular in the first place. I thought that was definitely a good thing. It reminded me of “A Mixtape About Nothing”; it had a very familiar feel. I think the song was decent, but I feel his approach on songs like this is what will forever hold him back from becoming that upper echelon of rapper he so desperately desires.
Grade: B

“Miami Nights”
Producer: Mark Henry, DreKing
This track had a striking resemblance to “Double M Genius” until it dropped. That’s the only thing that saved it (in my mind). There was nothing particularly special about this track; however, it didn’t disrupt the flow of the album. At this point, I was still waiting for that one song that didn’t belong at all. Furthermore, it had great production by up and coming Terror Squad producer, Mark Henry.
Grade: B-

“Legendary”
Producer: DJ Toomp, Lil’ Lody
This most real, intrapersonal, and self-reflecting track on the album by far. After all the Twitter rants this man has under his belt, I felt a track like this was needed. It was braggadocios yet humble. Not too many forced punchlines. The track was well put together. The hook was perfect for it.
*I have this track on a constant loop.
Grade: B+

“Lotus Flower Bomb”
Feature: Miguel
Producer: Jerrin Howard
Anybody that knows me on a personal level knows how I feel about this song. I feel that this could have been the NUMBER ONE song in the country. By no means am I a rapper, but I just feel like his approach was all wrong. The first verse was not engaging at all. The second verse however was impeccable. I feel if those verses were switched, this song would have done so much better. The song was an incredible concept and had the perfect feature on it. Damn, it pisses me off every time I hear it. I can’t help but think of the possibilities.
Grade: A
*I have this track on a constant loop.

“Chain Music”
Producer: Tone P
I really like this song. I thought it could be a club anthem, but the second verse is way too long. Also, I wish he saved it for his album instead of wasting it on “The Eleven One Eleven Theory”. I feel the same way about this song that I feel about J. Cole’s “In the Morning” ft. Drake. I feel like he was too impatient with this song. I feel like the format was wrong. But the beat was crazy. If he shortened the second verse and added a third, he would have a hit (well at least on the Hip Hop Charts).
Grade: B
*I have this track on a constant loop.

“Focused”
Feature: Kid Cudi
Producer: Kore
When I heard that he had a song with Cudi on his album, I instantly felt like it would sound forced. But instead I was pleasantly surprised by the outcome. I’m not the biggest Cudi fan, but his hooks are legendary. The one piece of criticism I have for this record however, is I think Wale’s flow was wrong for this song. I just don’t understand how this keeps happening. He was so close.
Grade: B+
*I have this track on a constant loop.

“Sabotage”
Feature: Lloyd
Producer: Cloudeater
Let me just say that my man, Lloyd kills EVERYTHING (I don’t do that pause sh*t). This song was decent. But again, I felt Wale’s flow needed a little work. But overall, I thought the concept was great. I felt that his doing this song while he had a cold was something different and maybe the realism that I felt was missing in his music for some time now. (So far, so good, no “trap music” on the album yet)
Grade: B

“White Linen (Coolin)”
Feature: Ne-Yo
Producer: Deputy
The one song that I felt was unnecessary for the album. Ne-Yo just isn’t the same. I really felt that this song was as close to being forced as you can get without actually stepping over that line. Again, I felt like the flow was wrong for the record. It was just too bouncy. The song wasn’t terrible, but it just doesn’t do anything for me.
Grade: C+

“Slight Work”
Feature: Big Sean
Producer: Diplo
To be honest, I have never really liked Big Sean. He is the corniest rapper out in my opinion. The reason I say that is because he doesn’t have to be corny but he works so hard at it. With that said, I understand why Wale wanted to keep this song on the album. I think he was trying to feed off of Big Sean’s energy right now because of the reception of his music in clubs. So I get it (from that aspect), but it just didn’t work for me although I understand it. This is obviously a concert performance song.
Grade: C-

“Ambition”
Feature: Meek Mill, Rick Ross
Producer: T-Minus
Please tell me that this song doesn’t remind you of those MasterCard commercials. This song sounds like T-Minus made this beat right after he made “She Will” by Drake (I don’t acknowledge Wayne on the song for obvious reasons). I also thought the hook was dry. Anyway, I feel like Meek killed it with the flow, even though the subject matter never changes for him. Ross can really do no wrong these days, and he gets the same criticism from me that Meek Mill gets. Honestly, I like this song but in my mind the song was over after Rozay’s verse. Wale’s verse was good though. However, Meek got the proverbial ‘W’ on this track. Wale was so close when he said, “Lebron shit, I was in a 6 after 23.” But then he ruined it with, “I got that green on my eye, and that ain’t no Donnie Simpson.” I was like “Whyyyyyyy?!?!?!???” Overall good song though.
Grade: B+
*I have this track on a constant loop.

“Illest Bitch”
Producer: Tha Bizness
Again, with the bouncy flow?!?!??? This guy just doesn’t get it sometimes. The hook sounds heavily influenced by “My Beautiful Dark Fantasy” Kanye. However, I feel like the poetry at the end was exactly what was needed at the end. I was actually impressed. But the flow!!!!!!!
Grade: A
*I have this track on a constant loop.

“No Days Off”
Producer: DJ Toomp
This song definitely indicates that the CD was about to wrap up. It’s hard for me to listen to this song. But I understand why some people would like it. It dawns the moniker of his very familiar hash tag on Twitter. I swear I can spot a Toomp beat from a mile away.
Grade: C

“DC or Nothing”
Producer: Tone P
I feel like this song was this song was needed for “the city of the slow death” as Wale so eloquently puts it. You can truly feel his love for the city. You can also feel his plight, pain, and struggle for “general acceptance” within his entire city. This is the one song where the flow doesn’t really bother me too much. Again, the poetry at the end was a good touch and exactly how to close out a CD.
Grade: B+

*Bonus Track* “That Way”
Feature: Jeremiah, Rick Ross
Producer: Lex Luger
Good song. Once again, I feel like the flow need some fine tuning. To be honest, I’ve always felt like Rick Ross’ presence wasn’t needed on this song. Aside from the fact he wasn’t saying anything all. Jeremiah killed the hook. Wale’s lyrics were good as well as memorable. Overall good song (as you can tell by its positioning on the charts).
Grade: B-

*Itunes Bonus Track* “Bait”
Feature: Tone P
Producer: Tone P
I like this song. But I really feel like this song was really one for US (The DMV area). I just don’t see songs like this reaching the general public. However, I applaud Wale’s fight to promote his area’s native sound. So I definitely get it.
Grade: B

Final Thoughts
I wasn’t sure how his signing to Maybach Music Group was going to impact his career or even the direction of his music for that matter. I was pleasantly surprised by the cohesiveness of this album. Although the MMG tag was unnecessarily at the beginning of some tracks, I felt like it didn’t take away from any of the song. I was also happy that he kept his DC producers at the core of the album. I felt that the other tracks were built around them. I couldn’t help but wonder where the Osinachi’s presence was on this album. But Mark Henry has potential to become something special in this rap game as does Best Kept Secret’s Tone P. At the end of the day Maybach Music has only placed Wale career on a higher plateau than would have been expected after the release of “Attention: Deficit” (Wale’s First CD). Although my hard criticism for this man’s flow will never stop (until it varies), I’m truly pushing for him to do well. He finally has the right backing with MMG and I feel like he can reach the top of the rap game with his well-documented work ethic as well as undying love for his craft, his city, as well as hip hop. So overall, Wale, I respect you sir.
Overall Grade: B+
-HenryVIII

 

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JukeBoxDC Editorial: Five Reasons Why You Should Buy Wale’s Ambition

October 31, 2011 JUKEBOXDC Staff Editorials No Comments  


Wale has been through a lot since breaking into the rap game. Strong underground following developed through well put together mixtapes, ups and downs with record labels and is every growing Twitter struggle with his haters and naysayers. Finally all will be put to rest on November 1st as Wale releases his sophomore album, Ambition. With the Maybach Music Group behind him, a legion of fans supporting him and a multi-faceted album, Wale delivers and delivers damn good. With his first album, Attention Deficit, being undershipped, the D.C. MC needs the support. Here are five reasons as to why you should buy Ambition.

1.If He Wins, Ross Wins
There’s no doubt that when Rick Ross built this gang of rappers with MMG, he was looking to put a chokehold on the game with more than just his hands. Since forming the group, the compilation album released and produced success, but now it’s on Wale to keep that ball rolling and live up to the MMG standard. Wale exudes that standard and just passed the baton to Rick. God Forgives, I Don’t releases December 13th.
2.He’s The Underdog
Since Wale’s rap buzz began he’s always been the underdog. Coming up with the likes of Drake, Kid Cudi, J. Cole and B.o.B., Wale has always been overlooked and overshadowed in comparison to his brethren. Let’s also take in consideration that Jimmy Iovine and Interscope Records split with Wale and he has been fighting uphill ever since. I wonder if Mr. Iovine can sense his Ambition now?
3.Transcended DC Rap Scene
Before Wale, the DC Metro Area’s rap scene was rather obsolete. The city is (and will always be) a GoGo town, but for Wale to make a name out of himself from basically coming from nowhere is phenomenal. Since he’s burst on the scene, everybody and their second cousin is a rapper, manages a rapper or is currently dating a rapper. (I’m using the term rapper loosely but you get it.) Call Wale what you want, but if he doesn’t exist, this city doesn’t have a voice in mainstream hip-hop. That counts for a lot in my book.
4.Something For Him, Something For Her
Ever riding in the car with a female and want to make a compromise on the music selection? You can’t go all in her favor and play Beyonce because that’s a pure man-law violation. However, you can’t go too hard on her with the Clipse or Gucci Mane. Nonetheless, with Wale he gives a pretty fair number of female likeable songs (“Sabotage” & “Lotus Flower Bomb”), but still has the lyrical/strong content (“Ambition” & “Legendary”) for the fellas to ride to. Versatility is key in an artist’s collection.
5.The Album Is Good, Very Good
Wale gives you variety, incredible lyrics, surprising guest features and sure-fire hits on Ambition. What does that equate to? A solid sophomore album. He promised a classic, but we can’t debate that for another 18 months (Why not? Click here). As for right now, this is clearly one of the best projects to be released this year and is worth your $9.99.
Ambition represents growth, a lifestyle and inspiration to the common man or woman. Will you be able to see the picture that Wale painted? Buy here.
-Terry Mundell (@commenturry)
www.frommyfloorseats.tumblr.com
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Cole World: The Sideline Story Album Review

October 3, 2011 JUKEBOXDC Staff Editorials No Comments  

Cole’s album is finally here. “Cole World: The Sideline Story“. When we think of the word sideline, we automatically think of sitting on the bench. A person gaining knowledge by observing the game and even practicing with the greats. J. Cole released “The Warm Up” to get us prepared for “Friday Night Lights” which made us check out for him on “Any Given Sunday”. Since Cole’s last mixtape “Friday Night Lights” you have to say he had his fans at the edge of their seats anticipating for his debut album. I personally think that mixtape was his best.

Its been 3 years since Cole signed his deal with Jay-Z. Cole has shown a major growth throughout his career. On this album, he talks about his come up in this music industry, from where he was then and to where he is now. In the Intro and Interlude on the album you can feel the same excitement and anxiousness he had when he found out he got signed. He even explained how he went to jail shorty after he found out. “Spending a night in jail realizing, these n***as have no clue I’m about to sign these papers”.

Cole touches on topics that everyone can relate to. He speaks on what happens in our communities: single parent homes and the responsibilities of being a man. The track “Lost Ones” talks about a very young couple finding out their having a child. Cole speaks on two point of views, the boy and the girl. Tracks we have heard before also made its way onto the album such as “Lights Please” and “In The Morning” with Drake.

Overall, some tracks will have you moving in the club and celebrating with Cole his grind to success. My personal favorite tracks are “Dollar and a Dream III”, “Can’t Get Enough”, “Mr. Nice Watch”, “Nobody’s Perfect”, “Cole World” and “Lost Ones”. This album was what I was expecting from Cole. And what I love about Cole is that he explains his struggle. His lyricism is on point and the honesty he pours out onto this album. This is just the beginning for J.Cole. I’m anxious what he has for us next. And if your sleeping on Cole its about that time you wake up. We love, I love Hip-Hop.

Rating: 4.5 Stars
Download “Cole World: The Sideline Story” on itunes now

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JUKEBOXDC Editorials: A Night On Fourteenth With Common

September 26, 2011 JUKEBOXDC Staff Editorials No Comments  
This past Saturday night, I was invited to come out to Common’s Green For All event at Park at Fourteenth. I got to the venue a few minutes before Common and his entourage arrived. Once the Chicago emcee arrived, I was escorted along with him to the VIP section where I was formally introduced to Common by my homie RRA from DMV Culture. Common is a real cool brother, very humble and treated me like a friend he knew for years.
Common mingled around the room with his friends for a bit then hit the stage to perform a few records.
He opened up with a crowd favorite, ‘Go’, from his album Be, after which he then went into his current single, ‘Ghetto Dreams’, which also features Nas. During his performance of ‘Ghetto Dreams‘, he announced that he had a new album coming out on November 22 entitled The Dreamer, The Believer…the album is produced by NoID and will be his Warner Bros. debut. Following the announcement, he thanked everybody that went to out to buy his new book, One Day It’ll All Make Sense, which is now on the New York’s Best Sellers List (f you haven’t picked up the book, make sure do it right here). Lamman Rucker (of movies like Why Did I Get Married) also came through and kicked it with us for a little bit.
After the jump, check out some flicks from the show (pictures by Mercyc and spotted on The Jasmine Brand).

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JUKEBOX:DC Editorial: Four Rappers Who Can Possibly Be This Generations’s 2Pac

September 14, 2011 JUKEBOXDC Staff Editorials 6 Comments  


When people argue the greatest rapper alive Tupac “2Pac” Shakur’s name comes up. When people argue the most influential rapper of all-time, he is the name that comes up. It has been 15 years since his tragic death in Las Vegas and 2Pac’s soul, music and voice is still alive in the hip-hop community. With this new generation of fire spitters and emcees on the come up, our culture is still searching for the next rapper to cultivate us like 2Pac did. As you should know, 2Pac talked to, about and for the kids, the mothers, the gangsters, the hustlers and any major figure in the black community. I have a few rappers in my mind who have a spark of the 2Pac bloodline. Let’s see if you agree or disagree on if they have what it takes to replace his image.

Name: Meek Mill (Philadelphia, PA/Maybach Music Group)

Chances: 50:1

Reasons Why: MMG’s young, wild bull has a voice and it’s not just a voice, but a tone where, when you hear him on the track, you know it’s him. Yes, Meek tends to yell and scream on a few tracks, but once you get used to his vocal chord, you hear a similar 2Pac-like passion coming out of those lungs (Pause that entire last sentence please).

Reasons Why Not: Meek Mill is starting to get a Gabrielle Union vibe in the hip hop community. He’s playing the same roles over and over. Maybe, he’s just trying to solidify his sound, but it can and is starting to get rhetorical. 2Pac was versatile to a whole another degree. There’s no way we can compare Gabrielle Union to Angela Bassett.

Name: Big K.R.I.T. (Meridian, MS/Def Jam)

Chances: 100:1

Reasons Why: KRIT is one of the most versatile rappers out today and he shows a bit of Pac through his ability of versatility. Not only can he keep the party going, but he can make your mind reflect on life and the purpose of it. Pac made your mind wonder on “Only God Can Judge Me” but had the entire club rocking to “California Love” in New York. With KRIT, he will take his “Country Shit” and shut down the spot, but will soothe your mind with “The Vent.” I never seen Pac live but from old reports, he was a great live performer. KRIT is no slouch in that department either.

Reasons Why Not: When first hearing KRIT you understand that he’s a southern artist and has a southern drawl. Strike one. Then you hear the content and nature of his songs you automatically get the UGK/8Ball & MJG feel. Strike two. Finally, the trunk rattling bass beats he rides out too, sometimes is not 2Pac at all. Strike three. He’s more UGK than ‘Pac in the long run.

Name: Wale (Washington, DC/Maybach Music Group)

Chances: 30:1

Reasons Why: Has there been any rapper since Pac that wanted the ladies of his generation to do better since Wale? (Yes, I know Pac had his “hoe” songs too. Shoot him and the other 11,000 rappers.) But think of this, the Ambition movement is making waves and has been a great message to the younger generation of Wale supporters. I wouldn’t be surprised to hear a “Keep Your Head Up 2.0” on Wale’s upcoming Ambition album.

Reasons Why Not: If you asked 100 people who are the top 3 most sensitive rappers, Wale’s name comes up over 80 times. Sad, but true. Funny thing is, Pac was sort of sensitive as well, but knew how to speak his emotions without coming off in a sensitive tone. Once Wale can get control over his Twitter rants and issues with naysayers, I can see greatness, musically.

Kendrick Lamar (Compton, CA/TDE Ent)

Chances: 10:1

Reasons Why: Compton Kendrick is my guy. Everything that I mentioned about the previous contenders that lacks of becoming the next ‘Pac he has. Versatility, message, content and raw talent, Kendrick has it. If 2Pac were to have a son in hip-hop, it’s Kendrick. *turns on Section 80*

Reasons Why Not: The biggest and only glaring reason why Kendrick isn’t approaching 2Pac’s throne and filling in his shadow is the fact that his music hasn’t truly been heard yet. Still relevant in the underground, but mainstream has yet to really hear about him. Kendrick doesn’t even have 10% of Wale’s Twitter followers just to show you. Once his music hits airwaves, videos on TV screens and video games, I can see Kendrick Lamar being the voice of this generation.

With all that being said, we will more likely than never to find another Tupac Shakur. I didn’t even mention his acting ability or charismatic persona which is another different topic in itself. We can only hope to re-create pieces of him and will forever miss Pac. Thank you for your time on this Earth Mr. Shakur.

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The 2011 VMAs: A Celebration of Today’s Illuminati Music Industry

September 8, 2011 JUKEBOXDC Staff Editorials No Comments  

MTV’s Video Music Awards give out “Moon Man” trophies to music artists who have had success during the previous year. But there is much more to it than shiny gold trophies. The VMAs are a celebration of the Illuminati industry, of those who push its agenda and a promotional tool to put the next generation of “initiates” into the spotlight. We’ll look at the 2011 VMAs, the stars that were celebrated and the material that leads them there. 
 Read the full article right here 
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JukeBoxDC Editorial: A Tale of Two Carters

August 31, 2011 JUKEBOXDC Staff Editorials 4 Comments  




Meet two men. Both with the same last name. Both kings of their castle. Both with respective careers and occupations. Yet, in 2011, these two men are on two complete opposite sides of the road. Let me give a quick setup.

For the past 10 years either Sean Corey Carter or Wayne Michael Carter has been atop or near the top of the hip hop pantheon. From record historic sales, award winning albums, club anthems to pioneering two of the most successful hip hop crews in history (Roc-A-Fella Records/YMCMB), these two have seen it and done it all. Sean’s official journey didn’t start until 1996 with his debut of the immortal classic Reasonable Doubt. As Wayne started out with a group named the Hot Boyz who would blaze throughout the hip hop south in the late 90’s to 2000’s. Later on, Wayne would solidify himself as a solo artist and spark a fan base that can only be rivaled by pop stars. Wayne’s biggest moment would come as a solo artist when his sixth solo album, Tha Carter III, would sell over a million records in the first week. Sean’s major accomplishment can be disputed. Which is more coveted to you; his record of 11 straight number one albums or being the husband to the greatest performer of all-time (not named Michael Jackson), Beyonce. Tough call. Either, or these two kings have seen their shine. However without shine, isn’t rain. Sean watched his empire known as the Roc come to a crumble and Wayne served a one year prison bid at the notoriously known Rikers Island in New York. Tough breaks, right? But these are kings. Shit happens. Well, in 2011 the Carter War has been a landslide and its not even fair.

Read the rest after the jump.




How awesome is it to be Sean right now? His latest album (with partner Kanye West), Watch the Throne, is released and is a complete success. Internet raves about it, almost every song title is a trending topic and best of all, no leaks to effect sales. Aside from the mystique of Watch the Throne, Forbes ranked Sean as the #1 cash king of hip hop earners in the past year with an easy $37 million (before taxes). Not bad for a man who hasn’t had a solo album come out since September 2009. Thank god for the Nets and his 40/40 Club chain. Nonetheless, aside from his business and musical side rising, Sean made even a bigger splash at the 2011 MTV Video Music Awards. Beyonce announced her pregnancy and now the couple are expecting their first born. It must be good to be a king, right?


Um, not so fast. Wayne has had a tumultuous and down-right dreadful 2011. His album, Tha Carter IV, was pushed back several times due to “lack of buzz.” Wayne tried everything from an MTV inspired “Unplugged” that caught some pretty good reviews, but didn’t meet the Unplugged standard. In my opinion, when it comes to Unplugged you have to pull out all the stops from guest appearances to song selection. 90% of Wayne’s set was post 2006 and his only guest was Shanell. Yes, I know what you’re thinking, who? Then, Wayne tries to make buzz with a mixtape. Now if you know Wayne like any hip hop fan does, his rise came through his mixtape pedigree in the mid 2000’s. However, Sorry For Tha Wait didn’t meet expectations as compared to his previous mixtape offerings. Can it get any worse you ask? Sure. Some can say it was the pressure or Wayne couldn’t produce another “Lollipop”-like record to start the flame, but he was on a downturn and it continued. Who knows. After a few pushbacks and uninspiring singles, C4 leaked five days before its official release. Typically, not bad for a “leak” in the music industry, but that other Carter guy came out with a clean slate. Irony. Finally, the Internet met C4. After only a few hours of leaking, “It’s All Good” takes the blog by storm. Drake and Jadakiss add unmemorable verses, but Wayne causes a stir by taking a jab at Sean and his wife. This is probably one of the few wins Wayne we see this year (The other: first week sales of C4). However, once the diss went in one ear and out the other, C4 received more disappointment than S4TW. Quite honestly, Wayne might’ve ruined his own legacy with his last few albums. Maybe this star has lost his shine, this home run hitter has lost his swing, this king has lost his crown.


So what does Wayne do now? How can he get back to supreme rapper status? Well, if he looks at his rival Sean, he went through a similar phase in 2006. Kingdom Come was highly anticipated and was definitely going to put him in another tier of the hip hop pantheon. However, it was a disappointing album and a setback to his career. Without breaking a sweat, Sean delivered a gem with American Gangster in 2007. Can a Wayne/Drake collabo album would surely resurrect his spirit? Sure. Maybe a concept/theme album? Definitely. Album produced by one amazing producer (i.e. 9th Wonder, No I.D., etc.)? Yes. Surely not the end of the road for this king or his crown. Let’s just chalk up a loss in the Wayne years and pray for wins later. For now, we toast to Sean.
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JUKEBOX:DC Editorial: Kendrick Lamar: Please Don’t Go Mainstream

August 24, 2011 JUKEBOXDC Staff Editorials 1 Comment  


Dear Kendrick Lamar,

As a fan of yours I felt the need to write this open letter to get a few things off of my chest. One, you are a phenomenal artist, rapper, leader and spoken word performer that captivates my inner soul and others to a degree I haven’t felt in a very long time. No one in the past five years has struck chords through my ear like this since Lupe Fiasco during his 2005-2006 run. However, I am writing this letter to tell you to not go down the same path as our brother Lupe. To not go the easy route like our brothers Drake and Wiz Khalifa but take the independent road to success and tell those mainstream suits you’ll pass.
We all know about how great it is to sign to a major label. You get the “machine” of the label behind you, plenty stories and interviews are given to you by worldwide publications. All the money you’ve worked so hard for is now at your leisure through advances, endorsements and global tours, etc. But what I’m trying to tell you is that you don’t need them for you to get that. What you have established at Top Dog Entertainment is astounding. A brand solidified in hip hop culture and a significant symbol in today’s critical and often crucial urban market. Therefore, let me give you the breakdown on a few.

Read the rest after the jump.

First and the most obvious of all – content. We all know this is the biggest issue when it comes to an artist jumping from the mixtape circuit to the big stage. In front of the big stage and under bright lights some of our favorite mixtape artists have floundered (to a degree) in making this jump. It can be argued Wiz Khalifa’s Rolling Papers sounded nothing like his pre-Atlantic Records music. Also, newcomer J. Cole stumbled out the gates after signing to RocNation, but after years since his breakout The Warm Up has been released, he is getting his chance this September. Now these are just recent instances, but how do we know the same won’t happen to you? Does HiiiiPower become a Top 40 hit on the Billboard charts? Does P&P get any radio play? Can Michael Jordan make it to NBA 2K12 or the club scene? I’m not betting on it. No way. Your distinct sound, lyrical content and under the radar history lessons and “audio books” are breathtaking. I would hate to see Compton Kendrick be forced into a Lasers project.
Secondly, let’s talk about the machine of having a label behind you. The marketing, mass promotion and even paying blogs to place your content onto their sites is just the start of it. But you know what, you have that already. Blogs thrive off of your freestyles, new music and videos, so the ability to market yourself and your music is doable. Labels can also get you on 106 & Park, TV talk shows and more. On the other hand, if Chris Brown can make it to Good Morning America after his Rihanna incident, I’m sure Robin Roberts would love to pick your brain about Tammy’s Song. In the same relation of marketing is fan expansion. Now, fan expansion is weird. You can say Wiz Khalifa gained the majority of his fans through Kush and Orange Juice, but it is also debatable that his smash hit Black & Yellow took him to another level of success. Let’s get something straight about you Kendrick. You spark a person’s soul with your content. You’re not talking about all the bad bitches in the world or having so much cash you can swim in it. You’re giving us stories about real life and it provides intangibles to a listener’s ear. A one hit wonder like Kreayshawn might build her empire of a single but that empire will fall if it doesn’t have stability. You have earned respect and your fans will push for you. A word of mouth reference is stronger nowadays than a forced upon radio single. Google Kreayshawn’s Rich Whores real quick. Ha. Ok. Get it now? Your fans got your back and spread your music all over. I’m sure of it. By the way, y mom’s favorite song is No Make Up.
Lastly, let’s think of the bigger impact of taking the independent road. You would be an icon, a trailblazer, or even a pioneer in this situation, because other artists would say to themselves, “I can eat good, without a label pushing me into a box. Kendrick did it. Why not I?” The recognition would be incredible and fans wouldn’t have to murmur the words “he changed” or “I miss old Kendrick.” Just keep the solid music coming and the fans will keep growing. Along with the fan expansion comes the awards and recognition from the blogs to the magazines to the Grammys. Yea, I said it. You will own a Grammy one day. I will bet that.
Kendrick, even if you don’t take the independent deal, weigh your options carefully and think of all of the possibilities. In my opinion, going independent will be the best situation for your sound, vision and persona.

Keep Black Hippy strong and take long strides with the movement. We won’t wuwwy.

Sincerely,
Devoted K. Dot Fan
@commenturry

P.S. Section 80 is the hip hop album of the year (so far).

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JukeBoxDC Editorial: Five Reasons Why Watch The Throne Would’ve Been Better in 2006

August 17, 2011 JUKEBOXDC Staff Editorials 5 Comments  

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Yes. I said it. Watch The Throne is a good album. Not classic. Not phenomenal. Not earth shattering, but nonetheless, a good album. This isn’t a review of the pros and cons of the album, the deeper look into the lyrics, subliminal messages or content but a different perspective on the “what if” factor. This is in the same sense as, what if Portland would’ve selected Kevin Durant in the 2009 NBA draft or what if Tupac doesn’t get shot in Quad Studios. Nevertheless, sit back, relax and just imagine that we’re in 2006 again.


1. Kanye’s Prime Producer Catalog
He just finished his second classic album, Late Registration and came right back and revived Common’s career with Be. Not taking anything away from Common, but Be isn’t a classic today if it wasn’t from the help of Mr. West. Plus, Common isn’t as revered as he is today without Kanye’s vision. Now, imagine Watch the Throne with Late Registration and Be production. Lord have mercy.

2. Jay-Z Isn’t A “God MC” (yet)
Let’s be honest, in 2006 Jay-Z was still trying to make a good argument for Greatest Rapper of All-Time title. Therefore, his effort on a 2006 Watch The Throne would’ve been more storytelling, less black elite. Nas was in his rearview mirror as well, Jay-Z would’ve gave everything he had.

3. Kanye West’s Relationship Status
In 2006, Kanye was still involved with ex-fiancee Alexis Phifer and has yet to meet Amber Rose. In 2011, Kanye is still rapping about being heartbroken and bitter from the break up of Amber Rose(Listen to “New Day”). Take away Kanye’s sour heart towards Amber and he’s in a better place with his woman. Album is better, period.
4. Jay-Z’s Retirement/Kingdom Come Era
We all like to not say it, but it’s the chink in Hov’s armor. Just like Jordan on the Wizards or Brett Favre on the Jets, real fans try to forget it, but can’t. The retirement was eh because he never truly “retired.” Then, coming out with Kingdom Come really gave Nas fans something to scream about. Scratch off Kingdom Come and replace it with Watch The Throne in 2006, Nas fans won’t be barking one bit.
5. Donda West is Alive
We all know Kanye’s inspiration from the jump was his mother. She was the one who pushed him to the next level as a producer and rapper. One can even argue that his best music was made while she was alive (College Dropout, Late Registration, Graduation vs. 808 & Heartbreaks, My Beautiful Dark Twisted Fantasy & Watch The Throne). Now imagine the vibe of Kanye then compared to now. It’s amazing.
Have I convinced you yet? Are you ready to hop in the time machine back to 2006 yet? Man can only wonder, what if. Some may say, “What about 2003?” In 2004, Kanye was still a pup in the rhyming game and Jay-Z was set for retirement. Some may say, “What about 2009?” Did you not read about Amber and Kanye’s mother? For now, let’s be happy this album came to life. All dreams don’t come true. Hopefully, I’m not writing this same article in 2016 about Lil Wayne and Drake.
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