Johnny Cinco – Don’t Play Wit Him (Stream/Review)

Johnny Cinco, one of the most influential artists from the “New Atlanta” has returned with his new album, Don’t Play Wit Him. The rapper and singer, largely credited with helping introduce “Mumble Rap”, and artists like YFN Lucci, and Hoodrich Pablo, to national audiences, has “stayed out of the way” recently, as the scene and styles he helped shape top the Billboard charts. It remains unclear if Cinco, an early signee to Quality Control Music, remains with the label. His 2017-2018 releases, John Popi 2, The Extra, and I Swear 2 (currently unavailable), appeared to be all released under QC, while Don’t Play Wit Him seems to be an independent release through Empire, without the Quality Control logo.

The 15 track project, produced mostly by ItsYungOnThaTrack and ShawnyBoi, has only two features, PG and Atlanta upstart Yung Mal. Two of Cinco’s most frequent collaborators, Spiffy Global and OG Parker, each produced a track. After hearing Spiffy’s haunting chords on “I’m The One”, one wonders why Spiffy didn’t contribute more. Comparably, if you were to visit Johnny Cinco’s instagram (@JohnPopi) in the past 6 months, you would have noticed a number of stellar unreleased tracks that don’t appear on Don’t Play Wit Him, including “All I Do Is Trap”, in which Cinco perfectly melds his repetitive, enchanting flows with Soul-tinged crooning. It’s unclear some of these songs didn’t make the cut, although 15 tracks is a full album, a far cry from the 20-30 minute EPs that are popular in the current Rap landscape.

Much like “All I Do Is Trap”, one of the album’s standout singles, “Let’s Get It”, combines Cinco’s endlessly-copied flows with his R&B singing to deliver a sound fine-tuned to be a Pop anthem for the streets. Many tracks on the album avoid the Modern Trap sound, combining 808s with Jazz chords and Soul samples, such as “Love Me”, where Cinco pleads for the people around him to “Keep it real”, referencing another track on the album, and wearing his Drake influence on his sleeve. Overall, Cinco seems unconcerned with fame and whether he has fallen out of Rap’s most popular circles, because the “Traphouse Bunkin” as always, because times will always be “Up & Down”, and because he remains “The One.” Don’t Play Wit Him is available for stream and purchase on all streaming platforms, with a tagged version hosted by GuyATL available for free on all the mixtape platforms. It remains relevant, and worthy of your ears, as Cinco pushes the boundaries further than most. If you hear similar-sounding songs from your favorite artists 6 months down the line, you’ll know where they came from, even though Johnny Cinco will likely be moving in another direction by then.

Johnny Cinco – I Swear (Mixtape) Review

It may seem a little late to be talking about this mixtape but I Swear could be the project of the year. Calling Johnny Cinco the Drake of Atlanta is a gross over-simplification. The Atlanta artist does rap and sing quite well, works mostly with the same producer (Spiffy), and makes songs that are upbeat and boastful as well as tracks that are more somber and ambient. Cinco, who comes from the place that made Trap, does seem stuck on drug-selling music (and the 808-themed genre named after it) in a way the Canadian rapper never could be. Although it seems that his music has some influences from Drake, the I Swear mixtape perfects the airy, repetitive rap-ballads Drake never spent more than ten minutes per album on. Cinco’s music is also less accessible to a broader audience than Drake’s will ever be, less pop, less manufactured. His 2013 single “Wrong N***a” allowed him attention from fans and the music industry (Cinco signed to Migos’ label Quality Control soon after.) In 2014, the song “No Choice” was even more popular without straying from Cinco’s usual sounds. As a result, the rapper has been free to experiment and open the floodgates for song after song, and two album-worthy mixtapes in the past year. While some of his biggest moments have been collaborations with his label-mates or his part in a feud with Rich Homie Quan, he has otherwise been making music that appears unconcerned with the typical problems modern Hip-Hop has. I Swear has no misplaced collaborations with well-known artists or producers, no songs trying to be singles or radio material and no inorganic appeals to new audiences. With an organic fan base, original  and diverse material, Johnny Cinco is the ideal modern Rapper.