Talib Kweli – Prisoner Of Conscious (Tracklisting)

prisoner-of-concious-tracklist-revealed

Talib Kweli’s Prisoner Of Conscious drops May 7th and, in edition to the below features, boasts production from J. Cole, RZA, Harry Fraud, Symbolic One and more.

How the hell did Nelly score a feature?

1. Intro
2. Human Mic
3. Turnt Up
4. Come Here (feat. Miguel)
5. High Life (feat. Rubix and Bajah)
6. Ready Set Go (feat. Melanie Fiona)
7. Hold It Now
8. Push Thru (feat. Curren$y, Kendrick Lamar and Glen “Grey” Reynolds)
9. Hamster Wheel
10. Delicate Flowers
11. Rocketships (feat. Busta Rhymes)
12. Before He Walked (feat. Nelly and Abby Dobson)
13. Upper Echelon
14. Favela Love (feat. Seu Jorge)
15. Only Gets Better (feat. Marsha Ambrosius)

Talib Kweli Brings Out Ryan Leslie In Tempe, AZ

Courtesy of Miss Dimplez TV:

Talib Kweli made his annual stop in Arizona and gave the sold out crowd a hit-filled two-hour set (including his ever-so-necessary encore), with the accompaniment of live band and DJ. While on stage, Talib even invited the show’s co-headliner, Ryan Leslie, for a debut performance of their collaborative single, “Outstanding”.

Talib Kweli Speaks Out About Rick Ross Over Rape Lyrics

I see Google Hangout is beginning to catch fire. Anyway, during a Huffington Post Live segment, Talib Kweli spoke on Rick Ross’ recent rape rhymes and his borderline you-must-think-we’re-idiots response to the backlash:

I don’t care if Rick Ross is 40 years old — he’s a misguided 40-year-old person. Rick Ross condoned rape in that song… and he should apologize. And his apology that he offered was unacceptable.

Lil’ Wayne’s ‘Emmett Till’ line wasn’t safe from the 35 minute clip, either.

Talib Kweli – Hard Knock TV Interview

Talib Kweli talks to Hard Knock Tv’s Nick Huff Barili after his performance at the Samsung Galaxy Sound Stage during the SXSW 2013 festival. The interview starts off with Kweli reminiscing about how he was inspired by Doug E Fresh growing up. As topics switch, Kweli talks about why he chose to name his up coming album Prisoner of Conscious and shares what we can expect from it. Talib goes on to share his opinion on MTV’s Hottest MC In The Game list, saying that its a popularity contest and that if the list was Best MC in the Game then his name should be on there. Before we let him go, the BK MC shares a J Dilla memory, whom he shouted out during his performance.

?uestlove, D’Angelo, Bilal & More Speak On Prince (Parts 1 & 2) (Okayplayer TV)

Above:

Let’s Talk About Prince: Questlove, D’Angelo, Elvis Costello, Alice Smith, Citizen Cope, Wendy & Susannah Melvoin, Bilal, Talib Kweli, Booker T. Jones and Nelson George share their memories and thoughts about the music icon backstage at the Music of Prince Tribute in NYC.

Below:

In Part 2 of Let’s Talk About Prince, Questlove and D’Angelo reveal that the guiding spirit that brought these “Brothers In Arms” together was none other than a Prince song that Questlove snuck into a performance by The Roots in L.A. the very first time he and D’Angelo met. Watch the split-screen interview conducted backstage at Michael Dorf’s Music Of Prince Tribute at Carnegie Hall.

Boost Mobile’s ‘Be Heard Sessions’: Talib Kweli

In this episode, Talib Kweli tells the story about how he got into music because he was a product of his environment, equal parts product of his parents and a product of his city. When he became a teenager, Hip-Hop sort of took over because he wanted to do something cool.

He tells us that he comes from a family and a home that was very focused on education. They went to a lot of museum trips and had a lot of books in their house. He also tells us that he incorporated a lot of these into his rap style.

Quote: “Be Heard is just sort of the diving board or the catalyst for a lot of other things, you know. Once you’re heard you can be felt, you know. Once you’re felt you can be loved, You know. You’ve got to be heard first. People got to be open and their ears and their hearts have to be open to let you in first.” ~ Talib Kweli

Talib also tells us that we live in an era where you can’t just work for someone else. He says have to own your thing.

Watch him end the session with an “off the dome” freestyle.