will.i.am Speaks On Recent Theft & Recovery

will.i.am recently took to his blog to break down what happened and why he’s actually partly responsible (hey, it’s a real world out there…::shrug::):

everyone is talking about my car getting broken into… actually…i accidentally left it open…unfortunately someone walked by it and took everything out of it… in my car was my coke bottle cap man bag…and in that bag was my drivers license, black american express card, visa card, 10 thousand dollars worth of items, and my ipad… ha ha… (thats when i remember i turned on “find my ipad function) to make a long story short – threw gps and find my ipad on: i located it and the dumb ass criminals and sent 6 cops to their house…recovered all my stuff…”wow”…the lesson here is never steal technology…

 
BTW…what is it with this guys fashion nowadays…is that a purse? Oh, wait, no, I get it…it’s a satchel. You know, like Indiana Jones…:
 

Yea, like shit it is.

 

Killah Priest x Ill Bill x Sabac Red – Psalm of Satan

In these dark times, songs made with light and happiness do not always seem relevant, as it was when Killah Priest wrote this epic story from the point of view of Lucifer. Lucifer who was God’s brightest angel, who God had made in charge of all music, would later rebel against God. Jealous of God’s love for humans, Lucifer would end up leading revolt against God and the other angels. The war in heaven would see Lucifer and his band of rebel angel’s fall from God’s grace. This knowledge we have from the New Testament however not once is Lucifer mentioned in the Old Testament. In fact some theologians believe that Lucifer was an early creation of the Catholic Church to be the bogeymen and foil for all goodness in the world. Killah Priest who is both spiritual and worldly has written a sinister verse, drenched in disdain and vengeance from Lucifer’s perspective. Sabac Red adds a sense of urgency to the song with his verse referencing Armageddon and the rise of the Beast. Lastly Ill Bill pens a verse about Lucifer manifesting in modern times as a skilled assassin working for government agencies or is he controlling them?In the end it is always up to the listener to decide what to believe, whom to believe and how this song relates to the dark world all around us.

In hindsight, perhaps I should’ve waited until after the weekend to post this…

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Personal Topic: Drake Vs. Ludacris?

I’m pretty late here, but I find this necessary to still be talked about: last week Drake did a pretty extensive video with Allhiphop.com about various topics, some of which we’ve already heard about even before this blog began, ranging on topics from Rihanna to the Lil Kim/Nicki Minaj issue, yahdayah. What both peaks my interest all of a sudden while also showing that I’m pretty slow on picking up the indirect shit is one part of the interview where he discusses a rap style which has been picked up by quite a few rappers, inclusing just about every member of Young Money themselves:

AllHipHop.com: How much do Young Money artists bounce off each other? I noticed you have similar inflections and cadences or rhyme patterns. I noticed this one thing that Nicki said, “It’s going down. Basement.”

Drake: Well, that flow has been killed by so many rappers. And, I never want to use that flow again in life. [Laughs] I wanted to take if off my album, because I was like, “I shut ‘em down. Onyx.” I hate the fact that that rhyme is still in there. To be honest, that flow, you can trace it back to like…I trace it back to Big Sean (artist on Kanye West’s G.O.O.D. Music). That’s the first guy I heard utilize that flow throughout the duration of a verse. I’ll give him that credit. I think Kanye got it from him. Me and Wayne found a dope way to do it. I don’t want to sound cocky, but the best way its been used was on “Forever.” Those lines just all individually make so much sense. They’re all punchlines. Then a bunch of rappers started doing it and using the most terrible references in the world. I don’t want to offend somebody…I hate that rappers picked that flow up. I wish they had left that for people that know how to use it. [They go like] “It’s a parade! MACY’S!”

So, what I learned from this excerpt are two things: 1) Big Sean was apparently the inventor of this variation of punchline, and 2) Ludacris is one individual that Drake feels sucked at pulling the flow off. Anyways, Illseed made a mention in his rumor blog that chances are there won’t be a response but I will say I am sure looking for ward to see how Ludacris feel about that statement…

Read the entire interview in it’s entirely, on Allhiphop.com.

Nicki Minaj Earns Her 1st #1 Rap Record

Nicki Minaj earns her first No. 1 on Rap Songs with “Your Love”…The last female rapper to peak on the Rap Charts was Missy Eliiott with “Work It” in 2003.

I’ll be honest. I hate this song. Like reeeallly hate it. But it’s catchy enough and it probably wasn’t made for me, anyway. Plus, there’s nothing wrong with finding a reason to post a pic of her up here. ::shrug::

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Source: Billboard.com

Amy Winehouse Starting Supergroup With…

…?uestlove and Raphael Saadiq? Word? …Come to think of it, that might actually work:

HELLRAISER AMY WINEHOUSE is fronting a new band.

She has teamed up with THE ROOTS drummer ?UESTLOVE and producer RAPHAEL SAADIQ, who will be on guitar in the as yet unnamed outfit.

But finding time to record is proving tricky due to Amy’s US visa problems. She was previously denied one for possessing cannabis and an assault she was later cleared of.

?uestlove explained: “The group will definitely happen. It’s just the closest she can come to the States is Jamaica. I’m off to France soon so I’ll see if she’s up for discussing it over dinner. We’re Skype-ing the s*** out of each other.”

Sounds painful.

At the end of the day, The Roots make everything better musically. Assuming this John Legend album will be a success, which it already sounds to be…

Source: The Sun

Muggsy Malone (The Parkway Kid) — M-U-Double-G-S-Y (Yeah That’s Me)

There’s no denying it–this dude is on a lyrical massacre. Definitely trying to hear more from him. A little history from DJBooth & IllVibes:

“It’s “M-U-Double-G-S-Y?” Damn, I always get that one wrong. My sub-par spelling skills aside, the latest exclusive world premiere off – ahem – Muggsy Malone‘s forthcoming, Booth-sponsored mixtape finds the up-and-comer spitting more of the tightly-wound, allusive autobiographical rhymes we’ve come to expect. Over the dreamy, lushly-sampled boardwork of Grussle (a.k.a. E-Minah), Malone takes us back to his early days spent dreaming of musical success, peppering his conversational bars with references to everything from Ben and Jerry’s ice cream to Disney Channel sitcom The Suite Life With Zack & Cody. With blazing hot rhymes and head-spinning flows to match, Muggsy’s clearly headed for the big leagues. In the man’s own words “Successful is like black: it’s what I was born to be.” Those who like what they’re hearing can find M-U-Double-G-S-Y (Yeah That’s Me) and much more on The Parkway Kid, set to hit our front page in the first quarter of next year.”

Keep updated on Muggsy Malone music through his Twitter page.

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Source: IllVibes/DJBooth.net

Big Boi’s Mixtape For Dummies: Guide To Global Greatness (Mixtape)

I’m not sure if Big Boi really needed to do this with his album pretty much here, but it’s a great listen nonetheless. Done alongside Coalition DJs X-Rated & Esco.

Sir Luscious Left Foot in stores July 6th.

1. Mixtape For Dummies (Intro)
2. Playa’s Ball
3. Benz or Beamer
4. Dirty South
5. Royal Flush
6. ATLiens
7. Shutterbugg
8. Throw Ya Hands Up
9. Cruisin’ In The ATL (Skit)
10. Hootie Hoo
11. Hood Figga
12. D-Boy (Skit)
13. So Hood
14. Kryptonite
15. B.O.B
16. Ghetto Music
17. The Way You Move
18. Henry Welch and Lil Rod (Skit)
19. Hold Up feat. Chris Brown
20. Record Store (Skit)
21. Love In Your Mouth
22. So Fresh, So Clean
23. 85
24. Elevators
25. And I Luv U
26. Tell C-Bone
27. She Got A Friend
28. Gangsta Shit

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