JUKEBOX:DC & Tony Lewis, Jr. Present: Son Of Life: A Mini-Documentary


In lieu of the homie Tony Lewis Jr. winning his Hoodie award (!), we present to you this, a project that we collaborated on last year.

Tony Lewis Jr. takes us through this past, present and future; introduces us to his and his colleagues’ Sons of Life movement; gives gifts to those in need for the 2010 holiday season; sends a message to the younger generation of his city.

HTC Joins Forces With Beats By Dre

Smartphone maker HTC is set to acquire a majority stake (51%) in Beats Electronics, LLC for $300 million. As part of the deal, HTC plans on improving the sound quality and incorporating Beats technology to their mobile devices. In addition, Beats will continue to it’s relationships with Chrysler Group and Monster Cable Products.

Theophilus London – Hard Knock TV Interview


Catch Part 2 (and more of a breakdown) after the jump.

Exclusive in-depth interview with Theophilus London. In part 1 Theophilus talks to Nick Huff Barili about growing up in Brooklyn and listening to a lot of Calypso music, Notorious B.I.G, Jay-Z, Michael Jackson, Mase, P Diddy, Marvin Gaye and so on. Theophilus recalls his first Hip Hop memory as watching Snoop Dogg’s Gin N Juice Video with his friends and being amazed when Snoop morphed into a Dog. TL goes on to say that Kanye West’s Late Registration was the first rap record that blew his mind. TL said that he likes the relationship he has with Kanye because they talk about Women and Music. He added that he is not in a rush to run into the studio with Kanye and that for now it’s good to just have him as a friend and mentor.

Not needing a Co-Sing or having big features on his album Theophilus instead worked on his relationship with Brands, his imaging and custom building his clothes. He went as far as quoting Madonna: “If no one wants to use you, you are worthless?”. Say Word??

The interview continues with TL talking about how his sound developed from his mixtape This Charming Mixtape to his new album Timez Are Weird These Days, which he didn’t use samples on because he wanted to show people that he can write songs.
The album was built on spirituality and faith in progressive music and not trying to work with producers or artists to try to sell records. 
HardKnock TV