2020 Broccoli City Festival Lineup Announced

Seriously, the Broccoli City brand has spent the last decade outdoing itself every year — this is especially the case in regards to its annual music festival, which sees bigger and better artists at each turn. This year, the lineup will feature DaBaby, Roddy Ricch and Megan Thee Stallion as headliners, with additional support from IDK, Ari Lennox (two of the area’s finest), Doja Cat, Lucky Daye, Burna Boy and more. Said Broccoli City co-founders Brandon McEachern and Marcus Allen:

“As a black-owned, millennial-led festival, we take great pride in our ability to create safe and authentic spaces for the black community to gather and celebrate the beauty of our culture. At a time like this, it’s imperative for us to protect these spaces and encourage one another to make their voices heard, which is why our return to Washington, D.C. is so important.”

It all takes place May 7th-9th at RFK Stadium. Head here for more information (and tickets).

Drilla – ‘Voice Of The Projex’ (Mixtape)

Drilla, arguably the most influential rapper out of Alexandria, Virginia right now, expands his reach and tells his story on Voice Of The Projex, his second full-length project. Influenced by artists like Lil Durk and Kodak Black, Drilla tells us his story of project living, trapping, ducking police and taking care of his family with bars that will impress most. “Long nights at the trap house you can wake up and hear the birds chirping” Drilla chants, over a guitar-heavy, sample-based, bouncy beat from Uncle Bari. Drilla shines when he’s telling a story, bringing you into his world, and showing you why he is the Voice Of The Projex. Produced (mostly) by Bari, mixed and mastered by JABB. The surprise bonus remix features Lightshow, and stand-out track “Hand & Hand” features Paco Suavee. Other streaming links to come, Spinrilla for now.

Gallant – ‘Sweet Insomnia’ (Stream)

Featuring assistance from 6LACK and Sabrina Claudio. From Complex:

“The sound of the album took a while to lock-in. I wanted it to feel like a shoebox you kept under your bed full of Polaroids—just very nostalgic… I was born in 1991 so a lot of the synths have that early-’90s, even late-’80s, feel to it. I wanted to also pull from mid-2000s and early-2000s R&B sensibilities. I grew up listening to a lot of that stuff on the radio and I felt like—to keep with the nostalgic vibe—it made sense to pull from those influences as much as I could.”

“I called the album Sweet Insomnia because, lyrically, every song on the album is bittersweet. You know, nothing is 100 percent positive and lighthearted. Nothing is 100 percent brooding and cynical. It’s very balanced and real, like an unretouched photo. The ‘insomnia’ comes from the fact that I was working on the album from 1 p.m. to 6-7 p.m., then I’d come home to try to get the vocals right from 8 p.m. to 4 in the morning … I got locked in that cycle to the point where, sonically, the album started feeling a little bit hazier.”