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Folks looking out for next month’s issue of Rolling Stone may or may not be delighted to see a topless Hanna Montana. In said issue, she does speak on a number of topics, including race in Pop music and (gasp!) drugs:

Me and [producer] Mike WiLL were talking about it. He said, “For me, my biggest achievement has been working with a white girl—but for a white girl to work and associate with black producers, you’re being ratchet.” He’s like, “Why am I on the come-up if I work with you, but if you work with me, it’s like you’re trying to be hood?” It’s a double-standard. I didn’t really realize it, but people are still racist. It’s kind of insane. Like if I had come out [at the VMAs] with all white-girl dancers, and done the fucking “Cha Cha Slide”— same outfit, same everything — it wouldn’t have been bad. But because of who I came out with, people got upset. Because they were girls from the club. They had thick asses. They were twerking. That’s what I want, though — I want real girls up there who can really party. The Baker girls [her backup dance crew, the L.A. Bakers] don’t give a fuck about me. They love me, but they’re not kissing my ass. They’re just excited to not be dancing at the club.

I think weed is the best drug on earth. One time I smoked a joint with peyote in it, and I saw a wolf howling at the moon. Hollywood is a coke town, but weed is so much better. And molly, too. Those are happy drugs— social drugs. They make you want to be with friends. You’re out in the open. You’re not in a bathroom. I really don’t like coke. It’s so gross and so dark. It’s like what are you, from the ’90s? Ew.

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