Wendy Williams Talks Fashion, Homosexuality In Hip-Hop (Vlad TV)

Famed television personality Wendy Williams discusses Kanye West and A$AP Rocky’s controversial outfits, like kilts and “dresses,” and reveals why her man would never dress like that. Wendy also weighs in on gays in hip hop, and reveals if she thinks that it will ever be widely accepted in the culture.

Below, she speaks on the Rihanna/Chris Brown/Karrueche situation, and the domestic abuse issue that will forever surround it.

@Raekwon On ‘The Process With Peter Rosenberg’ (Complex TV)

In the premiere episode of The Process with Peter Rosenberg, Raekwon talks about the making of some of his Wu-Tang classics. Renowned for his off-kilter rhyme style, The Chef talks about coming from the slums of Shaolin and rising to the top of the rap game. “Even when we did Enter The 36 Chambers, I didn’t consider myself as being like a great MC,” admits Rae. “I was a good one because I was able to fill in the gaps.”

He talks about the making of his classic debut album, Only Built 4 Cuban Linx… When discussing “Glaciers of Ice” he claims that when he first heard the beat he thought it was like “a party of gunshooters.” When discussing making Wu-Tang’s “CREAM,” The Chef reveals that he originally had a different verse. But when he played it for the crew, only one person questioned it but it was enough for him to rewrite his verse and make it the classic it is today.

Kelly Rowland Still Won’t Reveal The Details Of The Ex-Boyfriend In ‘Dirty Laundry’

This chick really had some feelings harboring prior to making this album…..Kelly Rowland sat down with omg! INSIDER to speak on the subjects in her emotional single ‘Dirty Laundry’, and while she continued to beat around the bush regarding exactly who this guy is, she couldn’t help but turn back on the tears when it came to talking about Beyonce (adding that the mystery abuser tried to break up her bond with her Destiny’s Child cohort). Check out the interview above.

Pusha T – Miss Peas (2dopeboyz) Interview

I recently connected with Pusha T at the Mezzanine during his stop on his “Life is So Exciting” tour in San Francisco with Fabulous. King Push elaborated on the necessity to parallel his forth coming highly anticipated G.O.O.D Music release, My Name is My Name, with the legendary HBO fan favorite, The Wire. He also shares his thought process behind the street anthem “Numbers on the Boards”, and breaks down the science behind his No Malice assisted project, “As God as My Witness”.

Rick Ross Opens Up On Failed Reebok Deal

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From MTV:

In April, Reebok severed ties with Rozay after mounting pressure from women’s rights organizations like UltraViolet, which charged that the rapper was promoting rape with a controversial lyric on Rocko’s “U.O.E.N.O.” Though Ross repeatedly expressed that was never his intention, the incident did raise questions about a rapper’s responsibility and brand endorsements.

“It most definitely was a learning situation and just for the little homeys, just something for them to take away,” Ross said, referring to his Maybach Music Group artists. “That’s what’s important to me, what they take away from it,” he added as MTV News sat down with him and his MMG crew to promote their upcoming August 6 compilation, Self Made, Vol. 3.

In related news, Rick Ross apparently bullied TMZ into filming him (I’m sure all parties were kidding):

Big K.R.I.T. Speaks On Debut Album, Spike Lee, 9th Wonder & More With Amadeuz TV

While on his King Remembered In Time tour, Big K.R.I.T. sat down with StrongArm (90.5FM KSJS) for an exclusive interview after his performance at DNA Lounge in San Francisco. Among topics discussed were the new project, K.R.I.T. (King Remembered In Time) and tour, linking with Spike Lee for a short film for the “Praying Man” track which features B.B. King off his debut studio album, Live From The Underground. He also spoke on the track “Banana Clip Theory” about gun violence, and on working with 9th Wonder & BJ The Chicago Kid on the track “Life is a Gamble”, both tracks are on his new mixtape.