Kendrick Lamar Speaks On Snoop’s ‘Doggystyle’

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XXL allowed Kendrick Lamar (who is an outspoken fan of his predecessor) to give his “review” of Snoop Dogg’s classic debut album. Check it out below.

I was coming from the skating rink when I [first heard] Doggystyle. It’s funny I remember these things. My auntie’s boyfriend was playing it while he was driving. My auntie said, “I thought you didn’t like Snoop Dogg.” And he replied, “I had to hear it a few times.” Little did I know he was just hatin’ because he was from the opposite hood.

I actually listened to it when I was 6. Believe me, when you’re from Compton, Long Beach, Watts, South Central, Inglewood…that’s all they were playing around you as a kid. I couldn’t escape it. I remember seeing Snoop Dogg on this video station called The Box. Somebody kept ordering “Ain’t Nothing But A G Thang.” I watched videos a lot, so I was familiar with him.

My favorite records are “G Funk Intro,” “Tha Shiznit,” “Pump Pump,” “Gz And Hustlas”… One of my favorite lyrics from the album is, “You’s flea and I’m the big dog/I’ll scratch you off my balls with my muthafuckin’ paws,” from “Doggy Dogg World.” It wasn’t the most complex line, but at the time, that’s all a 7-year-old could catch. I thought it was hard.

I’m definitely influenced by that album. The structure. The cohesiveness. The skits. The flow. The melodies Snoop kicked. The raw raps. There wouldn’t be a Kendrick Lamar without Doggystyle. [What stood out about the album] was its sound. Albums that last that long have their own sound. It was nothing duplicated, that’s why it stood out. It was that G-Funk.
I listen to it every two to three plane rides a song or two rotates in my iPhone. That fact that we still discussing it 20 years later says everything about it. –Kendrick Lamar

GQ Editor-In-Chief Responds To Backlash Of Kendrick Lamar Cover Story

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Earlier, TDE (namely, Top Dawg himself) blasted GQ for what he felt was the magazine’s use of racial overtones in the latest issue, which featured one of GQ’s Men of the Year Kendrick Lamar.

Jim Nelson (GQ’s Editor-In-Chief) has now responded to the claims, which you can check out below:

“Kendrick Lamar is one of the most talented new musicians to arrive on the scene in years. That’s the reason we chose to celebrate him, wrote an incredibly positive article declaring him the next King of Rap, and gave him our highest honor: putting him on the cover of our Men of the Year issue. I’m not sure how you can spin that into a bad thing, and I encourage anyone interested to read the story and see for themselves. We were mystified and sorely disappointed by Top Dawg’s decision to pull him at the last minute from the performance he had promised to give. The real shame is that people were deprived of the joy of seeing Kendrick perform live. I’m still a huge fan.”

TDE CEO Releases Statement About “Offensive” Kendrick Lamar GQ Cover Story


According to the Fader, TDE is accusing GQ and writer Steve Marsh of racism and portraying Kendrick Lamar inaccurately in their cover story.  Read the original GQ story here and Top Dawg’s (TDE CEO and founder) response below.

 

In 2004, I founded Top Dawg Entertainment (TDE) with the goal of providing a home for west coast artists and a platform for these artists to express themselves freely and to give their music to the world. From our beginning in 2005 with Jay Rock, to developing Kendrick Lamar, ScHoolboy Q, and Ab-Soul, to most recently singing Isaiah Rashad and SZA. We, as TDE, have always prided ourselves in doing everything with heart, honor, and respect.

This week, Kendrick Lamar was named one of GQ’s 2013 Men Of The Year, an honor that should have been celebrated as a milestone in his career and for the company. Instead, the story, written by Steve Marsh, put myself and my company in a negative light. Marsh’s story was more focused on what most people would see as drama or bs. To say he was “surprised at our discipline” is completely disrespectful. Instead of putting emphasis on the good that TDE has done for west coast music, and for hip hop as a whole, he spoke on what most people would consider whats wrong with Hip Hop music. Furthermore, Kendrick deserved to be accurately documented. The racial overtones, immediately reminded everyone of a time in hip-hop that was destroyed by violence, resulting in the loss of two of our biggest stars. We would expect more from a publication with the stature and reputation that GQ has. As a result of this misrepresentation, I pulled Kendrick from his performance at GQ’s annual Man Of The Year party Tuesday, November 12th.

While we think it’s a tremendous honor to be named as one of the Men Of The Year, these lazy comparisons and offensive suggestions are something we won’t tolerate. Our reputation, work ethic, and product is something that we guard with our lives.

Black Hippy Responds To Recent XXL Cover

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ScHoolboy Q, Music News

If you’ve seen the cover, you will notice that the magazine had introduced the fantastic four as “Kendrick Lamar & Black Hippy”. Uh-Oh.

We recently posted an Ab-Soul interview with Montreality where he spoke on it — you can check that out here — where he wasn’t to appreciative of the notion…..above, we get a response from the remaining members in the group not name Kendrick.

Eminem Will Be Bringing J. Cole, Action Bronson, Chance the Rapper & Kendrick Lamar On His Australian Tour

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Eminem is going to Australia for three dates (below), and he’s bringing the very dope King Kendrick with him, along with J. Cole, Action Bronson, Chance The Rapper and somebody named 360. All the necessary information is below (courtesy of Music Feeds).

Rapture 2014 Lineup:

Eminem
Kendrick Lamar
J. Cole
360
+more to be announced

Wednesday, 19th February 2014
Etihad Stadium, Melbourne
Tix: On sale noon Thursday 31st October via Ticketmaster

Thursday, 20th February 2014
Suncorp Stadium, Brisbane
Tix: On sale noon Thursday, 31st October via Ticketek

Saturday, 22nd February 2014
ANZ Stadium, Sydney
Tix: On sale noon Thursday, 31st October via Ticketek

Ticket details: Exclusive Presale – register at eminemrapture.com to get access to FIRST TICKETS. Registrations close at 5pm Wednesday October 23rd.

VIP & Fan Packages from www.showbiz.com.au