@Rihanna To Join Forces With @JLo And @Shakira For FIFA Women’s World Cup

Spotted on Grape Juice:

They are three of the world’s most celebrated performers, and now, in what is set to become one of the year’s most anticipated, Rihanna, Jennifer Lopez and Shakira will journey to Azebaijan to perform at the ’2012 Fifa U17 Women’s World Cup’.

On September 22nd, Lopez will perform at the event’s opening ceremony in Baku, followed by Rihanna on October 5th at the Tofig Brahamov.

Then, on October 13th, Shakira will deliver a set during the final match of the tournament, to be held at the same venue.

This will mark the first time any of the women have performed in the country which is also hosted the 2012 Eurovision Song Contest last month.

Tinchy Stryder (@TinchyStryder) Announces Headphone Line

It looks like Tinchy Stryder is next in line of a group of emcee who will be launching a headphones line (thanks Dr. Dre)….he has teamed up with Goji (co-owners of PC World & Currys) and created a new line of headphones called Goji Tinchy Stryder: On Cloud 9.

“I’ve been looking at launching my own line of headphones and gadgets for some time, and Goji has been the perfect partner for me to work with on this project – the team I’m working with are amazing and we clicked right from the start. I can’t wait to get the products out there as I’m sure people are going to love the sound – which it was really important to me that we got right – and the design of the goods too.

It’s really exciting for me to be adding this to my business ventures and I can’t wait for everyone to be able to see the finished goods for themselves.”

The Goji Tinchy Stryder: On Cloud 9 headphones will be available from July nationwide exclusively at more than 600 Currys and PC World stores nationwide.

Big-Up: HHC

Mary J. Blige ( @maryjblige ) to Play Betty Shabazz in New Movie


Mary J. Blige continues to establish her craft in Hollywood.

According to

Black America Web, Blige has been cast to star in a made for television movie focusing on the wives of Civil Rights leaders Martin Luther King

Jr. and Malcolm X.

Titled “Parallel Lives,” the movie will, for the first time, showcase the relationship and bond Coretta Scott King and Dr. Betty Shabazz shared.

Blige has been studying hard for the role following ‘Rock of Ages’ and Tyler Perry’s ‘I Can Do Bad All By Myself.’

Mary J. Blige has been long attached to play Nina Simone in a forthcoming biopic as well. As reported earlier this year, Blige secured a Golden Globe Award nomination for “The Living Proof,” a song she wrote for “The Help.”

Jeweler Accuses Drake (@Drake) Of Stealing A Watch

From TMZ:

Manhattan lawyer James McMillan filed a lawsuit in New York, says the NY Post, claiming his $30k Rose-Gold Rolex Presidential watch with a diamond bezel went missing from a midtown jeweler last year. McMillan claims that after it disappeared, it ended up on the wrist of rap superstar Drake.

But sources close to Drake tell TMZ … that claim is total BS. We’re told the rapper does own a Rose-Gold Rolex — which can be seen on the cover of his album “Take Care” — but is adamant he bought it directly from Rolex himself.

Our sources say Drake NEVER received a watch from the midtown jeweler named in the case.

Ying Yang Twins (@yingyangtwins) Rapper D-Roc Arrested

Wow at the mugshot, though. Spotted on TMZ:

Deongelo Holmes — one half of the rap duo Ying Yang Twins — was arrested last week for marijuana possession and DUI.

According to the Gwinnett County Police report, when Holmes was busted on June 1 in Duluth, GA … his eyes were “bloodshot and glazed” and his speech was “mumbled, slurred and slow.” The report also states Holmes failed a field sobriety test, but was “cooperative and friendly” with officers.

Holmes was also booked for child endangerment … because his two kids, ages 3 and 2 months, were in the car at the time.

Azealia Banks Doesn’t Want To Be A Rapper Anymore

This chick is destroying her career before she even gets it off the ground. Spotted on Rap-Up:

Azealia Banks is shaking things up once again. After splitting with Lady Gaga’s manager Troy Carter earlier this week, the hip-hop dynamo has deleted her Twitter page and is distancing herself from the rap game.

The “212” hitmaker ignited controversy with her fiery tweets aimed at Iggy Azalea, T.I., and Lil’ Kim. But she’s done making noise on the social networking service, for now at least.

“No longer wishing to be a rapper,” she wrote. “i never was…. and as soon as i started paying attention to bullshit urban media, i started getting myself in trouble. From now on i’m a vocalist, and will not be associating myself with the ‘rap game’… or whatever the fuck that means… no more twitter for me… it makes me entirely too accessible.”

However, just because she doesn’t want to be labeled a “rapper,” doesn’t mean she’s hanging up the mic. “I’m still going to rap,” said Banks. “i just don’t want the label and all the other crap that comes with the ‘rap game’… it’s boring. rather be a dance artist.. lol.”

If you still want to stay connected with Banks, you can visit her on Tumblr. “Catch me on tumblr… it’ll be more interesting.”

Her first order of business once leaving Twitter was to debut the cover art for “Aquababe,” the second single off her mixtape Fantasea, due July 4.

Lauryn Hill Issues Statement On Tax Charges

This week, Lauryn Hill was charged with failing to file income tax returns with the Internal Revenue Service. She didn’t pay taxes on more than $1.5 million earned in 2005, 2006 and 2007 from recording and film royalties. Today she issued a statement on her tumbler page . Read the full statement below:

“For the past several years, I have remained what others would consider underground. I did this in order to build a community of people, like-minded in their desire for freedom and the right to pursue their goals and lives without being manipulated and controlled by a media protected military industrial complex with a completely different agenda. Having put the lives and needs of other people before my own for multiple years, and having made hundreds of millions of dollars for certain institutions, under complex and sometimes severe circumstances, I began to require growth and more equitable treatment, but was met with resistance. I entered into my craft full of optimism (which I still possess), but immediately saw the suppressive force with which the system attempts to maintain it’s control over a given paradigm. I’ve seen people promote addiction, use sabotage, black listing, media bullying and any other coercion technique they could, to prevent artists from knowing their true value, or exercising their full power. These devices of control, no matter how well intentioned (or not), can have a devastating outcome on the lives of people, especially creative types who must grow and exist within a certain environment and according to a certain pace, in order to live and create optimally.

I kept my life relatively simple, even after huge successes, but it became increasingly obvious that certain indulgences and privileges were expected to come at the expense of my free soul, free mind, and therefore my health and integrity. So I left a more mainstream and public life, in order to wean both myself, and my family, away from a lifestyle that required distortion and compromise as a means for maintaining it. During this critical healing time, there were very few people accessible to me who had not already been seduced or affected by this machine, and therefore who could be trusted to not try and influence or coerce me back into a dynamic of compromise. Individual growth was expected to take place unnaturally, or stagnated outright, subject to marketing and politics. Addressing critical issues like pop culture cannibalism or its manipulation of the young at the expense of everything, was frowned upon and discouraged by limiting funding, or denying it outright. When one has a prolific creative output like I did/do, and is then forced to stop, the effects can be dangerous both emotionally and psychologically, both for the artist and those in need of that resource. It was critically important that I find a suitable pathway within which to exist, without being distorted or economically strong-armed.

During this period of crisis, much was said about me, both slanted and inaccurate, by those who had become dependent on my creative force, yet unwilling to fully acknowledge the importance of my contribution, nor compensate me equitably for it. This was done in an effort to smear my public image, in order to directly affect my ability to earn independently of this system. It took a long time to locate and nurture a community of people strong enough to resist the incredibly unhealthy tide, and more importantly see through it. If I had not been able to make contact with, and establish this community, my life, safety and freedom, would have been directly affected as well as the lives, safety and freedom of my family. Failure to create a non toxic, non exploitative environment was not an option.

As my potential to work, and therefore earn freely, was being threatened, I did whatever needed to be done in order to insulate my family from the climate of hostility, false entitlement, manipulation, racial prejudice, sexism and ageism that I was surrounded by. This was absolutely critical while trying to find and establish a new and very necessary community of healthy people, and also heal and detoxify myself and my family while raising my young children.

There were no exotic trips, no fleet of cars, just an all out war for safety, integrity, wholeness and health, without mistreatment denial, and/or exploitation. In order to liberate myself from those who found it ok to oppose my wholeness, free speech and integral growth by inflicting different forms of punitive action against it, I used my resources to sustain our safety and survival until I was able to restore my ability to earn outside of it!

When artists experience danger and crisis under the effects of this kind of insidious manipulation, everyone easily accepts that there was something either dysfunctional or defective with the artist, rather than look at, and fully examine, the system and its means and policies of exploiting/’doing business’. Not only is this unrealistic, it is very dark in its motivation, conveniently targeting the object of their hero worship by removing any evidence that they ‘needed’ or celebrated this very same resource just years, months or moments before. Since those who believe they need a hero/celebrity outnumber the actual heroes/celebrities, people feel safe and comfortably justified in numbers, committing egregious crimes in the name of the greater social ego. Ironically diminishing their own true hero-celebrity nature in the process.

It was this schism and the hypocrisy, violence and social cannibalism it enabled, that I wanted and needed to be freed from, not from art or music, but the suppression/repression and reduction of that art and music to a bottom line alone, without regard for anything else. Over-commercialization and its resulting restrictions and limitations can be very damaging and distorting to the inherent nature of the individual. I Love making art, I Love making music, these are as natural and necessary for me almost as breathing or talking. To be denied the right to pursue it according to my ability, as well as be properly acknowledged and compensated for it, in an attempt to control, is manipulation directed at my most basic rights! These forms of expression, along with others, effectively comprise my free speech! Defending, preserving, and protecting these rights are critically important, especially in a paradigm where veiled racism, sexism, ageism, nepotism, and deliberate economic control are still blatant realities!!!

Learning from the past, insulating friends and family from the influence of external manipulation and corruption, is far more important to me than being misunderstood for a season! I did not deliberately abandon my fans, nor did I deliberately abandon any responsibilities, but I did however put my safety, health and freedom and the freedom, safety and health of my family first over all other material concerns! I also embraced my right to resist a system intentionally opposing my right to whole and integral survival.

I conveyed all of this when questioned as to why I did not file taxes during this time period. Obviously, the danger I faced was not accepted as reasonable grounds for deferring my tax payments, as authorities, who despite being told all of this, still chose to pursue action against me, as opposed to finding an alternative solution.

My intention has always been to get this situation rectified. When I was working consistently without being affected by the interferences mentioned above, I filed and paid my taxes. This only stopped when it was necessary to withdraw from society, in order to guarantee the safety and well-being of myself and my family.

As this, and other areas of issue are resolved and set straight, I am able to get back to doing what I should be doing, the way it should be done. This is part of that process. To those supporters who were told that I abandoned them, that is untrue. I abandoned greed, corruption, and compromise, never you, and never the artistic gifts and abilities that sustained me.”

Will Smith Records "Summertime" Remix with DJ Jazzy Jeff

Twenty-one years after the release of “Summertime,” Will Smith and DJ Jazzy Jeff are reuniting on a remix dubbed “Summertime 3.”

The rapper-turned-blockbuster actor joins Jazzy Jeff, with whom he collaborated on the 1991 summer song as well as the theme to The Fresh Prince of Bel-Air, and producer Mick Boogie in an

update of the track that will be available

for download on June 11 for the Summertime 3 Mixtape. I was just thinking about were Boogie and Jazzy Jeff were going to do another Summertime mixtape. We need it.

Jazzy and Boogie, have a countdown website for their mixtape that teases: “Stocked with remixed hits that are cooler than those ice-cold treats we love, the mix is a compilation of tracks that have been inspiring us since the ‘90s.” Less than 2 days to go!